Mind of a Next Level Communicator: Insights from award winning enrollment VP,  Roger Thompson 

Vice President for Student Services and Enrollment Management at the University of Oregon, Dr. Roger Thompson, isn’t just your ordinary, run of the mill collegiate cog in the wheel. As an award winning enrollment officer for the University, he is unparalleled in his passion for equal access to opportunities in higher education. His impressive resume includes working for the University of Indiana and University of Alabama which earned him the prestigious Robert Vance award, named in recognition of the leadership provided by federal judge Vance who was instrumental in enforcing desegregation in the South in the 1960s. 

Growing up in the East San Francisco Bay/Richmond area, Dr. Thompson’s family moved to Hillsboro, Oregon when his banker father landed a job with Washington Federal Savings. “Communication became a big part of who I was because I was a new kid and played sports, which connects you,” he remembered. “When I went off to college, I was a broadcasting major. I wanted Bill Schonely’s job,” he said with a laugh. He eventually decided to pursue University leadership and after working at the Universities of Alabama and Indiana, he jumped at the opportunity to return to Oregon, becoming Vice President of Student Services and Enrollment Management.

Rising to the challenges of addressing the skyrocketing cost of higher education and the daunting onus of student loan debt, the Thompson and the U of O employ tactics and strategies to help students and families. 

“What we are trying to do at the U of O is we try to find ways that we can invest in students and families. There are open opportunities, especially for students from underrepresented, underserved communities to come to the U of O. And while our debt level is still too high, it’s lower than the State of Oregon’s average, lower than the federal average and we are working to make it even lower than our average. While it is still a challenge, we have friends of the University that are helpful and we do our best to strategically use our dollars to help us accomplish things like enrolling the largest, most diverse, highest academically achieving class ever, now 10 years in a row,” he stated proudly. “We also talk to students and families about return on investment. Attending the U of O or any University is a big expense, the largest expense a family will ever undertake if they don’t own their own home. If they own their own home it is the second largest expense they will ever undertake, so we talk to these students and families about what is the return on that investment, what we can do so that they have a brighter future.  It’s important that we help them dream and imagine that future they sometimes cannot define and how do we then help them make that happen.”

Dr. Thompson is proud of the fact that when it comes to reaching out and engaging at-risk communities, the U of O is also on the cutting edge for finding new and novel ways to help recruit and retain students. “Access is really important to me. We need to make college as affordable as we can so we have taken some initiative, like through our scholarship program. We are the only school in the State that has guaranteed tuition, so when you begin at the U of O, your tuition will remain the same over 4-5 years.”

It appears to be working. Despite high costs and prohibitive student loan debt, 38,000 applications were submitted for a freshman class with 5,000 openings. “We have lots of interest, but it is maintaining access to the University of Oregon that is critical. In my mind, Universities are built on two things: quality and access. If you don’t have quality, you are offering students and families a false promise about their future. If you don’t have access, you aren’t a public University. Access for me has been part of my career from the very beginning. Winning the Robert Vance award is one of the highlights of my career, something that I am really proud of. Judge Vance was an incredible hero at a really tough time and he paid with his life. He was killed because of how supportive he was of integration.”

Carrying forth the torch of equality was not without its challenges for Thompson, particularly during his tenure at the University of Alabama. “Alabama was a bigger challenge than I thought,” he remembered.  “In 2002, we celebrated 50 years of what we called “opening doors”. Robert Kennedy Jr. and Coretta Scott King came in to speak, and that’s when I met a most amazing woman, Vivian Malones Jones, who I encourage people to read up on. I told her that I had a goal to make the University of Alabama the institution of choice for African Americans and that I thought that she was the one to help with that. She laughed and said “How can I help?”. We wound up being featured in Jet Magazine of which we bought 10,000 copies to put in every kid's hands,” he shared proudly.

Recognizing that helping kids become inspired and motivated to pursue and complete journeys in higher education, Thompson jumped at the opportunity to become involved in a flagship U of O program, the Ballmer Institute for Children’s Behavioral Health. 

“Steve Ballmer was the CEO of Microsoft, owner of the Los Angeles Clippers and his wife, Connie, grew up in Portland and was a U of O alumni. Both have always been very concerned with underserved and underrepresented communities. They saw a crisis with children’s health and wanted to make a difference in Portland. It just so happened that at the same time, Concordia University was up for sale and with the philanthropic help of the Ballmer family, the U of O had an opportunity to really make a difference in NE Portland. One of the things that is really exciting about the University of Oregon/Portland, is that we have the physical space and the program to work with children. Children today have so much trauma and so many things going on that we need to be addressing as a society and that is really important to the Ballmer’s. We have tremendous potential to make a very real lasting impact in NE Portland and in the State of Oregon.”

The process for enrollment at the Ballmer Institute has multiple segueways to participation. “We will have students that come from Eugene to Portland for their last 2 years and we will have students that start in Portland and do all 4 years,” Dr. Thompson explained. “The great thing is that we have a scholarship that gives 40 Oregonians who have financial need the opportunity to access a Ballmer family program that pays for tuition, room and board. Everything is paid. That’s a tremendous opportunity for a lot of young people wanting to come study in a field that is so very needed. And this isn’t just what we are doing with the Ballmer Institute and that particular program, it’s also an opportunity to grow other programs on that campus like moving our programs from downtown Portland out to the U of O Portland campus.”

Becoming a good partner in an area where they have never broken ground before is something the U of O takes very seriously. The University also recognizes the challenges inherent in educating the students of 2023 and beyond. “I think it’s a lot tougher to be a young person than it was when I was growing up,” Dr. Thompson acknowledges. “These phones and social media portray a world that is ‘perfect’ and most people’s worlds aren’t perfect. In fact even the people posting on social media, their world is not perfect yet what they are putting out there are really impacting people with those messages in ways that make them feel inadequate. On the University's end, we need to do a better job of preparation and helping our students decide what the best path is.”

As for the business and residential impact the U of O is hoping to make in N/NE Portland, their goals are lofty, with the potential for great and long lasting impact. “It’s about economic development, it’s about opportunity, it’s about being a good partner in the community. It’s about being a partner to help solve issues while giving children and families the opportunity to attend the University of Oregon.”

Jazz Festival Founder James Taylor Dreams a Little Dream with Vanport on his Mind

“I was born in Mississippi and my Dad was an Air Force man so we moved to California when I was very young," shared longtime Portland banker (former) and founder of the Vanport Jazz Festival, James Taylor. "My parents had 6 kids in 8 years so it was a very busy family."  

Before he became interested in the national and international jazz music scene, Mr. Taylor's focus was on sports, criminal justice and finance. "In my 6th grade year we lived in Turkey and in 7th and 8th grades, we lived in Spain. After that tour ended for my Father, we moved back to California where I finished high school and then I came to Oregon to play football and get a business degree at Linfield College. After college, I worked in banking for 32 years. During a momentary departure, I was a sports agent for 7 years working with players in the NFL and NBA. After I finally retired from banking in 2017, the Governor appointed me to the Oregon Board of Parole and Post-Prison Supervision and that is also the same year I started the music festival." 

His inspiration for choosing a career in criminal justice was rooted in family history and a passion for helping Black America navigate systemic barriers posed by racist policies and procedures. "My younger brother was a police officer in San Bernardino for 15 years and as I was growing up, I knew about law enforcement from him and other family members in the field and knew what was happening there. As Black men in the U.S., we face a lot of challenges with the criminal justice system and I wanted to be in a position to at least add to the equation of equality. Before I joined the Parole board, I spent 2013-2017 in an advisory capacity on the Oregon Youth Authority on their audit committee. That position was voluntary and I got a chance to visit all the facilities in the State and talk to the superintendents and to the kids and review policies and procedures. Afterwards, I had the opportunity to check out the adult board of parole and was privileged that the Governor appointed me to that position." 

While the Black Lives Matter movement forged new pathways and created new avenues for systemic change, Mr. Taylor feels that there is still much work to be done to address the grievances wrought over 400+ years.  "From a criminal justice standpoint, I've seen a lot of changes in how we are amending our laws on the local, county, and state level. We are enacting new laws to benefit Black Americans and even have a congressional BIPOC caucus who, even though things tend to move slowly in government, are making great strides. I'm pessimistic, though, on how quickly more sweeping changes will happen across America because there are people on the other side of the table who don't want to see major changes happen." 

Throughout the struggle for civil rights and equality, it was musicians, artists and performers who bore the brunt of the cultural insurrections against racist establishments. "Black Americans and Black artists have been on the frontline of the civil rights movement. Black musicians would play the "chittlin' circuit' where they couldn't stay at places, they couldn't eat at places, they faced discrimination and hardship, It was a tough road, so to a great degree, Black artists were every day, every week, every month, every year, facing racist tension across America. So when you have artists today who can travel and express themselves musically, they are very appreciative of the opportunity. Like most Black Americans, they are well aware of the discrimination faced in America and as musicians, we should be tipping our hats to them for what they have had to go through to be where they are."

Despite the serious and often difficult journey forging a more equitable path for Black Americans caught in the various systemic nets of systemic inequality, Mr. Taylor never lost his connection to the music that sustained his Spirit of struggle "I have always been interested in music from a young age. When I was living in Turkey, the OJ's came to the Officers Club to play a concert. I was only about 11 and my Dad knew I was into music so he took me to the club and told me to stay behind the counter so no one saw me," he remembered with a laugh. "From there, we moved to Spain where I joined a band and learned to play the bass guitar. When I moved back to Southern California as a 10th grader, we formed a band in the neighborhood and had really good players who went on to play with Rick James. As a junior and senior, I was director of student activities and had the budget to book artists such as Tower of Power, Pleasure. etc...and also, I formed relationships with radio stations and record labels who would send music to play on campus. I told myself that one day I would have a jazz festival and the idea percolated until 2016 when the dream finally came to fruition."

While he was thrilled at the prospect of establishing the first ever Vanport Jazz Festival, Mr. Taylor was no stranger to the difficulties of creating and sustaining such a recurring, yearly event. "There is a lot more involved in terms of marketing, logistics and enticement and when dealing with national and international artists, there is also the challenge of negotiating prices to fit into your budget. Building momentum, year after year, until you get a critical mass is also an important component to hosting a successful music festival so I surround myself with people in the music business who can help me and give me advice."

This year's festival is now in it's 4th year, however, it would have been the 5th had last year's event not been cancelled due to the CV-18 pandemic and ensuing restrictions. "We postponed the festival in March, 2020 and we weren't sure that this year's festival would happen either until April-May when we made the decision to move forward. While marketing has been a challenge with such a narrow window for promoting it, we didn't want to go 2 years between festivals."

With gates opening at 10:30, the Vanport Jazz Festival will take place this Saturday, August 7th, at the Colwood Golf Course on 73rd and Columbia Blvd. Boasting a star-studded roster of local, national and international artists who plan to regale attendees with world-class music, the festival atmosphere also includes food carts, vendors and spirits from local breweries, wineries and purveyors of fine liquors. "We are opening up at noon with a 90-minute set from a band we put together, a top-notch collection of younger and older artists from Portland. You are going to see older artists like Lauren Bastille, Saida Wright and younger artists like Charlie Brown, Noah Simpson and Sug Matthews. You will be surprised at the caliber of talent these artists have. Afterwards, we will be transitioning to welcome internationally known musician, Tahirah Memory, daughter of Grammy-winning trumpeteer, Thara Memory.  Marion Meadows and Gerald Albright will then take to the stage, closing out with our headliner, the world famous percussionist, Sheila E, who will conclude with a 90 minute set." 

This year's festival title "Discover the Legacy, Experience the Revival'' has a potent and meaningful connotation for Mr. Taylor.”The 'Legacy' is the City of Vanport and we want people to understand the challenges that Black people faced coming to Portland in the 1940's and how, after the flood, how all of those people had to immigrate into the City of Portland. "Discover the Legacy '' also means understanding that the Black people from Vanport had come in from various locations throughout the South, bringing a rich musical history with them. When they all moved into the city after the flood, they opened up clubs. Jazz musicians like Dizzy Gillespie, Thelonius Monk, Ella Fitzgerald and all the jazz heavyweights came through Portland in the 50's and stayed in the homes of Black families because they weren't allowed to stay in hotels. We want people to understand the Legacy Black musicians brought with them and want people to experience the Revival of not just jazz music, but what Black people brought to Portland in particular."

For more information on the Vanport Jazz Festival and to purchase tickets, visit:

https://vanportjazzfestival.com

 

 

Arubah Juice - Devine Inspiration

Anyone who's ever faced health challenges or been close to someone who has, knows that one’s true wealth is good health. No one takes this more seriously than Tony Devine, founder of Arubah Juice. His wellness products are all organic, all natural  and incorporate a proprietary blend of herbs and trace minerals that work together to restore the body, repel oncoming 5G Technology and dangerous E.L.F. (Electronic Low Frequencies) which are known to cause CANCER.

What Black Beat Host, John Washington and Tony Devine talk about: 

  • His story and inspiration for creating Arubah Juice

  • Health benefits experienced by users of the products

  • His thoughts and perspectives on natural healing versus conventional approaches to treating illness and disease

  • Successes and challenges he has faced as a Black business owner

  • His long term goals for Arubah Juice

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When it comes to living examples of what is possible when one tunes into the power of the Spirit, Mind and Body, Tony Devine stands head and shoulders above the crowd. As the creator of the revolutionary wellness drink, Arubah Juice, Mr. Devine has devoted his life to helping people realize their potential to heal themselves. 

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“It goes back to May of 2013, when my other half came home after an appointment from the Doctor, where she was checked to see if she had any form of cancer,” Devine remembered. “It turned out she did have cancer...stage 4 cervical and ovarian cancer. I was knocked out by that one and thought God was really testing me with this. Spirit told me, ‘You really have to go to work. Stop complaining and get to work.’” 

Inspired by the late, great Dr. Sebi, a Honduran herbalist and healer who brought forth to Western medicine the African concept of creating an alkaline environment in the body to ward off disease, Devine immediately began creating a product that he prayed would save his wife.

“I knew of an alternative therapy, a cancer treatment that is not promoted to the public too well, so I studied and put together a proprietary blend of herbs along with this base liquid juice and created an elixir, a liquid superfood. I had her drink some every morning before she went to work and by January 2015, the cancer was gone.”

His wife’s miraculous recovery became fuel for the couple's purpose and passion for helping other people overcome obstacles to their health and wellbeing. “My other half came up with the name ‘Arubah Juice’ for our product,” Tony shared.  “‘Arubah’ is Hebrew for “restoration to sound health”. After that, Spirit told me that I needed to get this out to help all of God’s people, regardless of my budget or credit. This product is truly amazing. It is a miracle and I want to get it out there because good health is true wealth.”

After the venture expanded to include dietary supplements and herbal packs, the Devine’s made a fortuitous connection with someone who would help take Arubah Juice to the next level. 

“I met this 87-year old Mormon who taught me about the healing properties of alkaline water and told me that in Japan, they have over 250 hospitals that treat patients solely with high alkaline water. He hooked me up with these other Mormons out in Utah and when I got in contact with them, they gave me these ingredients, these trace minerals, zinc, copper, selenium and magnesium. I put it all “on steroids” so to speak, because I know about amplified nanoparticles, monatomic platinum, gold and silver. Truth is stranger than fiction and anyone who studies ancient history knows that Ancient Egyptians and others used monatomic gold to help them build giant monuments and structures.”

As for his thoughts and experiences with natural healing modalities, Devine offers his perspective based on decades of research into Western ‘medicine’ versus alternative methods of treating illness and disease. 

“I know that every disease and ailment that exists on the planet has a cure in the natural world. There are certain people who don’t want you to know that because the medical industry and pharmaceutical industry are a major resource for people who control this matrix. I always recommend a documentary on Netflix called “What the Health”. It will change your entire perception about food and what you are eating. You are what you eat.”

In addition to encouraging people to fortify their bodies alkalinity not just with his product, but also through food, Devine’s knowledge of quantum physics inspired him to apply an intentionally charged, energetic approach to the creation of Arubah Juice. 

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“I understand quantum physics, which is that everything is energy,” he explained. “Whatever you are doing or working with, your energy goes into what you are producing. Whether you are making love or you are cooking, whatever your mood is, it’s going to go into your relationship, into your food, whatever is being done at the time. It’s important to have positive intentions.”

As a Black-owned enterprise, Devine acknowledges that knowing who to trust in the process of getting the word out about his product and  navigating the aftermath  of  a global pandemic have been his greatest challenges. 

“It’s been challenging because black people have a history of their ideas and products and inventions being stolen, so I’ve had to be extra careful who I trust. As for the pandemic, I was working with Marion Polk Food Share and using their kitchen as a commercial kitchen. When COVID shut it down, I had to go old school and keep working using my own kitchen.” 

As for the long term business goals of Arubah Juice, Tony Devine fully intends to continue to be a harbinger of humanity's inherent ability to align mind, body and spirit to heal every ailment on every level.

“I’m not stopping because I’m here to do my part and fulfill my destiny to help people help themselves,” he said with conviction. “These products are quantum. All four of my products inhibit cancer cell growth and if you do research on my ingredients, you will understand that my products also protect against a lot of toxins and incoming 5G radiation from cell towers. Most people also use toothpaste with fluoride which calcifies the pineal gland. I recommend a superfood, Spirulina, which decalcifies the pineal gland and deters Alzheimer’s and dementia. I can’t do everything because I don’t know everything, however, I do have good intentions and it’s not about filling my own pockets. I want to help people help themselves. It pleases me when I know that I have done that, because it's not about my ego. It nourishes my Spirit and my Soul.”

Before you Die: The Importance of Estate Planning

This episode of Black Beat welcomes Ekua Hackman, an attorney with a passion for serving as an advocate for an ever growing elderly population in America. She currently works providing unbundled and full service estate planning and probate services to residents of historic N/NE Portland in order to help them retain assets and property via the Homeownership Asset Preservation Program ("HAPP"), the African American Alliance for Homeownership ("AAAH") and the City of Portland Housing Bureau. 

What Black Beat Host, John Washington and Ekua Hackman talk about: 

  • How she got her start in law and her primary motivation for having chosen this field of practice

  • Types of clients and cases she represents

  • Her work with the Homeownership Asset Preservation Program ("HAPP") and the African American Alliance for Homeownership ("AAAH")

  • Her perspective on the greatest hurdles facing aging Black Americans due to the racial wealth gap in America, particularly as it affects housing and homeownership opportunities

  • Ways in which the field of elder law changed post-pandemic

  • Her advice for people seeking affordable legal support and contact information for the Common Law Center

 Thank you for being a part of our show where we take pride in improving people's perceptions of capability, significance and influence in their lives and in their communities.

We want to hear from you.

For more unapologetically Black stories and inspirational media coverage of capable, significant and influential motivators in our community, follow us on social media and send us your thoughts:

Phone: (503)-841-5032

Email: info@flossinmedia.com

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When it comes down to it, deciding who will inherit your estate is a big decision and an important part of life planning. Smart estate planning helps protect families from the pain and expense of probate court and any conflict that may arise between heirs. The simple fact is that without a plan in place, you won’t get to choose who gets what.

However daunting the process may sound, Ekua Hackman from Commons Law Center wants you to know that estate planning is not just for the rich, white and wealthy.

“The Homeownership Asset Protection Program(HAPP) provides free estate plans specifically for Black people who qualify,” Hackman shared.”Participants qualify if they are long time homeowners that live in N/NE and meet the income requirements set by the City of Portland Housing Bureau and the African American Alliance for Homeownership(AAAH). The purpose of the program is to combat gentrification and build intergenerational wealth, to make sure that assets go on to the next generation and don’t get lost in courts. To qualify, you will hit up the AAAH and they will guide you through the income requirements and application process. Once you have qualified, they send you to me and we do a consultation where I make sure you understand how estate planning works and how it benefits you. I then have the client gather all the information, being as thorough as possible, which ultimately serves them in the end, including if they are incapacitated or disabled.”

The road to becoming an attorney specializing in estate planning started early. “I knew from a young age that I wanted to do something with my life that would ultimately help people so when I went to law school, I got really interested in estate planning. I learned about this program that had estate planning for Black people. It was kind of a miracle that this popped up, so I knew I had to apply, especially after seeing the level of gentrification that N/NE has gone through over the 9 years that I’ve been here. Nationally, we have lost about 3 million acres of land valued at about 6 billion or so over the last 100 years. Despite a history of being denied access to business opportunities, bank loans, resources, etc...one of the best ways to make sure the racial wealth gap does decrease is, if at all possible, get an estate plan. If you have funds or access through this program, your money will go to your family and not get caught up in the courts and going to attorneys working probate cases. It’s worth it to have a plan.”

Representing mainly Black people in their 30’s through their 80’s, Hackman helps her clients through the process of estate planning, including making sure that the title is correct and that nobody is going to come and seize the home or assets.  “As you know, that’s a big deal, especially in this area,” she said. “It’s been really fun work because I’m doing something worthwhile with my degree and don’t have to help people that I think aren’t doing right. It’s been a really rewarding experience and the hardest thing is getting people to understand that this program is really for them, that there is no hidden agenda, no trick happening. We are not here to take your property, we are here to help you keep it.”

While many are relieved and appreciative to have her expert help, others are a bit more reticent. ”A little more than half are enthusiastic and excited about getting through the process and knowing how it will benefit them,” she observed. “About 40 percent are uncomfortable about it, but know it needs to be done. I often have to push and prod them a little to tell me what they want done after they pass away because they don’t want to imagine it. I know it’s hard, but because I’ve been in this business for a few years, it doesn’t faze me to talk about this process anymore, to talk about death.”

Reassuring her more wary clients that the program she represents is completely legitimate is of paramount concern. “Black folks have the lowest rates of advance care planning in the nation. Part of my webinar is explaining why they need an advance directive and power of attorney. Say you get into a car accident and you are out of commission for a couple weeks or months to recover so you need someone to take care of your person and your finances. Appoint a child, nephew, niece, anyone you trust to make decisions on your behalf. My duty as an attorney is to protect you and your assets. I joined this program specifically because I wanted to help Black people. Trying to convince them of that may take some more conversation, but that’s what I’m here for.”

Reflecting on some of the probate disasters she has witnessed over the course of her life and career motivates her to strive even harder to help her clients. “There are stories of probates that went horribly either because Mama made a will that wasn’t as effective as it needed to be, a title was not passed on correctly, estranged relatives are living in the house that aren’t supposed to be there and can’t be removed, etc...We do our best and once we are done working with them, they are satisfied with the services we provide to help our elderly clients age with grace.” 

Hackman’s parting advice for anyone interested in estate planning services is to get in touch with local agencies working to ensure that everyone has access. “If you live in N/NE, express your interest in getting your affairs in order to Anita Stevenson 503 505 3517 at the African American Alliance for Homeownership. The more interest that we garner for this program, the longer the City will keep it around. If they think that there is not adequate interest, they won’t continue funding it. Even if you don’t qualify for services under the program, give us a call at the Commons Law Center where we do sliding scale fees based on income. If none of those options work for you, make sure every asset you have is going somewhere. Have a beneficiary with backups for life insurance policies and bank accounts. That can save a lot of trouble for you in the end.”

To reach the Ekua Hackman and the Commons Law Center, 

call: (503) 850-0811 or visit www.thecommonslawcenter.org 

Out of Africa: Angolans In Oregon

On this episode of Black Beat Podcast, Mimi Abdulai, President of the Angolan Community Organization of Oregon(ACOO) illuminates the work of the nonprofit organization, whose main focus is to build solidarity and friendship between Angolan immigrants and the diverse Portland communities where they reside. The organization's work centers around raising awareness and preserving the cultural and humanitarian purposes of Angola through education and outreach geared towards understanding and uniting with the Black community as a whole. 

What Black Beat Host, John Washington and Mimie Abdulai talk about: 

  • Ms. Abdulai’s history and background

  • What led her to be an advocate for the Angolan community in Portland

  • Her successes and challenges as a Black female non-profit President

  • Her thoughts and perspectives on race relations

in America and how they differ in Angola and Africa 

  • What are your long term personal and professional goals?

  • Her advice for other females in the world of non-profits

  • How listeners can connect with the Angolan Community Organization of Oregon

Thank you for being a part of our show where we take pride in improving people's perceptions of capability, significance and influence in their lives and in their communities.

We want to hear from you.

For more unapologetically Black stories and inspirational media coverage of capable, significant and influential motivators in our community, follow us on social media and send us your thoughts:

Phone: (503)-841-5032

Email: info@flossinmedia.com

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As President and eloquent Ambassador to the community on behalf of The Angolan Community Organization of Oregon, Mimie Abdulai is passionate about fostering knowledge and understanding of the roots and origins of Angola and Africa as a whole. "Angola is a former Portuguese colony so the official language is Portuguese,” she explained. “While most people speak Portuguese in Angola, we have over 20 dialects which we would like to promote because Angola was under Portuguese colonial governance for over 500 years. As the last African nation to be freed and obtain its independence in 1975, most of our culture and languages were erased and older generations are the only ones left speaking our dialects. We would like to bring back those things that make us Angolan.”

With a population of about 400 Angolans living in Oregon, the focus of ACOO is to build solidarity and friendship within the larger community, raise awareness and preserve the African nations cultural and humanitarian purposes. “The earliest settlements were established in the early 90's by refugees and since then, others have migrated here, mostly college age students and people who have settled here integrating into the Portland community,” Ms. Abdulai reflected. “As Angolans, we are known for our culture and dance, Kizomba, which is known all over the world. During the pandemic, there was the song ‘Jerusalema’ that was choreographed by Angolans and helped provide relief all over the world during this pandemic. We are a very friendly people and we adapt to change as evidenced by our colonial history.”

Her tone took on a somber note as she shared the history of slavery in her native country. "Portugal is not well known currently, but in the past, was considered the United States of their time because they led all the slavery and migration. When Christopher Columbus discovered America, it was Portugal that was on top of the business in the era of slavery. We saw many of our Brothers and Sisters shipped off to Europe, both Southern and Northern Americas, and to some Asian countries as well."

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Seeking to broaden her horizons, Abdulai relocated to the Pacific Northwest.  "I moved to OR because my husband was working for a tech company which I worked for as well. I was doing medical interpretation in Swahili at OHSU in 2017 when an Angolan gentleman approached me. He asked where I was from and when he found out that I too was from Angola, he invited me to Thanksgiving where I met a wonderful family, one of the earliest Angolan settlers in Oregon, the Capuia family. Daniel Capuia and his wife Alisha Moreland Capuia, who is an incredible figure, activist and Doctor who worked at OHSU and now at Harvard University, told me of their plan to move to Cambridge, Mass. and because of my interest in the community, they suggested that I should be the next President. So voting happened two years after that and the people spoke, democracy spoke and here I am", she said with a laugh. 

Being a female non-profit leader has not always been easy. "Challenges, which I will call opportunities, are many because most Black non-profit leaders are dominated by male figures, so trying to break into that position is challenging in the fact that people don't know Angola exists. Being a Black non-profit, we face challenges getting our community recognized, getting funded and penetrating the non-profit community. Thankfully, there is always a helping hand to help, always a good Samaritan willing to show us the ropes and introduce us to the right people; however we still have a lot of work to do in establishing our Black nonprofit here in Oregon.” 

As someone with a deep and abiding interest in history, Ms. Abdulai delved into the roots of Angola and found patriarchal influences upon her country were pre-dated by a matriarchal government. "I studied the history of Angola and I believe the patriarchal element in society came after our encounter with the Portuguese community. We used to have a very strong Queen, Nzinga Mbande, who was not just strong in Angola but also in Africa because she dealt very well with the Portuguese who came to Angola as traders. In the present, however, we are a very, very male dominated society and we are trying to break away from that. We have seen a lot of higher public offices being occupied by women but there is still work to be done to change this."

In terms of racial relations in America as opposed to her experiences growing up in Angola, Ms. Abdulai shared her perspective upon the stark differences. "The way we were raised in Angola was to look at people and not race. Race was not an issue in my house. We had every race imaginable in our neighborhood and we never looked at race. In moving to the US, I had to confront it and in the beginning, I didn't want to lose my ingenuity and didn't want to deal with it, but in reality, we have to deal with it because when you move here they are not going to ask you if you are African, or from France or anywhere else, the first thing they see is color, that you are Black. It defines you a lot here in America. This conversation is overwhelming and sad and has to happen so that my children and children's children don't have to deal with this. I dread having to talk to my 8 year old about race and the things she will encounter out there in the world and also dread my male nephews having to worry that they will be judged based on their stature, whether they are they too nice,  too assertive or belligerent and it keeps me awake at night. I hope we come together as a human race and address that.”

While the Black community in Oregon has been largely supportive and accepting, racial tension has created a dynamic that is foreign and disturbing to Ms. Abdulai and other Angolans who have relocated here. "The Black community here are very very nice and the majority has accepted us as Brothers and Sisters, however, we have to address the problems we have with each other and the distinctions among ourselves as well otherwise it makes it easier to break us apart,” she said sadly. “We are not really united as one front, because even amongst ourselves, we discuss skin color. It was very sad when I first heard the term "light-skinned" in my 20s. In America, if you are less than 98% white, you are BLACK. So we need to unite knowing that we are Black, like it or not. It is really shocking to a lot of Africans in America and we do not relate.”

Despite the challenges and difficulties acclimating to a completely new way of life, the ACOO has many accomplishments to celebrate, even in the wake of a global pandemic. "We are very motivated to see that our numbers are remaining the same and it is a reason to be happy that we can see our Grandparents, nieces and nephews now,” she observed. “During the pandemic, we saw the most engagement as a community with the state of Oregon. We had the pleasure of working with the Oregon Health Authority and received a grant to fund our community so that we can get through the restrictive time at the beginning of the pandemic. We were given masks and given food to distribute at various locations and we worked closely with the Oregon Health Authority in making sure that everyone knew about the safety measures that the CDC were coming up with. We applied that in our outreach, not just in the Angolan community, but in the other non-African communities in general. This year we have been busy with the vaccination campaign and letting people know the pros and the cons on this very touchy subject amongst not just African communities, but the Black community, which is something that unites us in regards to concerns around mass vaccinations. We are also busy planning for after the pandemic, because we as Black people know that this too shall pass and it's important to be prepared for that."

Ms. Abdulai’s passion for helping others in her community extends to other Women seeking to enter the field of non-profit work. "For those who want to get into nonprofit work, the most important thing is to know why you want to do so because even though it is rewarding, there is no money in it but there is joy in doing something selfless for your community,” she shared. “You need to be really dedicated to your cause, you have to figure out your reasons and they have to be the right reasons. You will have days where you will feel that you are done so it is important that you have to have passion and your faith has to be strong. Don't give up, keep on going, keep on helping your community and know that stone by stone you will build your skyscraper. One thing I learned from my Father is that your life is fulfilled when you put it to the service of others and your community. I never understood why he wrote this in the family album, but now as an adult I am understanding it more. I saw my Father doing work for our community and it was that passion that was passed down to me to help our Brothers and Sisters climb up that podium and get out of whatever circumstances that keep us on the bottom. If we are holding hands and helping each other, there are going to be many of us on top, many of us in those meetings where those decisions are being made and our voices will be heard."

Her long term goals, personally and professionally, reflect her desire to continue helping others to know their roots and unite as a people to achieve a common purpose. “I want to inspire people, not just in our Angolan community, to unite as a Black community all over the world. We need to stop defining ourselves as African-American--we are Black and maybe that's not a good definition, but we know where we come from. Knowing where we come from is the definition of strength because when we know who we are and no one is going to tell us differently. My future is to speak to all Black people regardless of where they are geographically located, we are Brothers and Sisters and stronger together. We are a powerful race, we just need to know that we are and to believe that we are and we will achieve whatever we have set out to achieve.”

For more information on the Angolan Community Organization of Oregon 

visit their website at www.angolansoregon.org

Facebook https://www.facebook.com/Angolansoforegon

or email oangolacommunity@gmail.com

Boogie Cat Norman Sylvester: A Father’s Journey of Guitars, Blue, Economics and Family

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"It all started in Bonita, Louisiana on a 112 acre farm that my Grandmother owned," local Blues icon Norman Sylvester remembered. "She is a midwife and in that farmhouse she delivered my Sister and I.” 

Growing up in the segregated south, Sylvester enjoyed a childhood filled with beauty and natural wonders that often seemed worlds apart from the gruesome reality on the other side of the property line. “I always tell my kids I was born in paradise because we would take off our shoes and run over that dirt with butterflies and hummingbirds and fruit,” he said with a smile. “Anything that you could've wanted is on that land. She farmed cotton and sugarcane and went to church every Sunday. My Mom and Dad met on that farm. He was a quartet singer and during that time was in an acapella group so I got to hear that gospel voice and the blending of the harmonies. When they added the guitar, that was my first introduction to what guitar sounded like with harmonizing voices. I was hooked on music then, just knowing it and feeling the emotion created by African-Americans when they put Blues and Gospel together during slavery. The whole thing was a survival communication thing.”

The family relocated to Oregon in 1957 when his father accepted a job with Union Pacific. “Racism has been around me all my life,” he remembered. “I would hear horror stories from my Grandparents, Mom and Dad about life in the South and things that had happened there. When I came here to Oregon, it was culture shock but the area was also full of African-American people in schools and in shopping centers, so I didn't run into a lot of racism because we stayed in our neighborhoods. Racism was here too, but growing up as a kid, it didn't affect me.”

His love of Blues and Gospel was deeply rooted in his childhood experiences and he credits his father for being the first to recognize his budding talent. “When I was a sophomore in high school, my Dad bought me a $11.95 guitar from H and B Pawnshop. He said if I learned 3 songs on the acoustic, he would buy me an electric. I met Isaac Scott and Danny Osbourne who taught me those 3 songs, so my Dad bought me the electric," he fondly recalled.

After getting married at the age of 20, Norman Sylvester became a father to 4 children while attending trade school. Upon graduation, he became a heavy duty mechanic and a Teamster, 2 positions that he held for 25 years. True to his roots, however, music remained his lifeblood and he pursued opportunities to engage in the world of Blues and Gospel music. “I opened for BB King in 1987 at the Arlene Schnitzer Hall and went back to the trucking company the next day,” he shared. “That's the Boogie Cats Journey. God had a plan for me and at the same time, I had to make a living to support my family. When, due to Reaganomics, the trucking company went out of business in 1990, I started Boogie Cat Productions and went to music full time. I had already been playing music on the side and, boom, everything opened up for me.”

He released his first recording in 1969 with a band called Rated X and credits his music with saving his sanity and his life. “In 1987, I attended the first Rose City Blues Festival with Johnny Hooker as the lead. I've only missed 4 festivals since then and that music has helped me survive. Even through this COVID thing, it still helps me survive. My wife and my family are, of course, my rocks and my foundation, but it's the music that keeps me off the psychiatrist's couch," he said with a laugh. “The high points for me have always been the blessing that God gave me to translate and communicate with music. Sometimes I go to a level of  playing that I didn’t know I could do, a level that’s higher than me. That’s because something is taking me there and I really appreciate those times.”

As much as he appreciates the highs he has experienced throughout his illustrious career, he also credits the lows along the way for revealing the Soul of his journey and the resilience and faith it has taken to transcend some of its greatest challenges. “The low parts of any man’s journey are, of course, health. I’ve had 4 hip surgeries because the trucking company wore out a lot of joints. The lowest point ever was when the trucking company went broke in 1990. 8,000 people were out of work and I had zero wages. I went from a good wage to nothing.”

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His breakthrough and bounce back came when The Dislocated Workers of Oregon, who had trained him for bookkeeping, computer and interviewing skills, asked him what he wanted to do with the training they had provided. “I said that I never wanted to punch the clock again, God-willing,” Sylvester stated resolutely. “That’s when I started Boogie Cat Productions. The journey has not always been easy because being a Blues musician has not been a thing that was accepted by my culture of African-Americans. They look at the Blues as a sad, mournful thing that reminds them of pain and bad times. I look at Blues and Gospel as something that was a vehicle for oppressed people to have a voice and something that they created inside their Soul that they could call their own, that no one else had ownership of or could take away from them. The earliest musicians were sharecroppers and hardworking people back in the day. I could not sing the Blues like Muddy Waters because I never lived the Blues like him, but I can stand on his shoulders and play the Blues. I can stand on BB’s shoulders and play the Blues because he laid the path. The hard part is when I look out in the audience and I don’t see a lot of my people. BB talked a lot about having to come to terms with that too. The bright spot and Blessing is that when I play Good in the Hood at King School,  I see every African-American person that I know and that I haven't seen in a long time. I was on the committee that started that Festival 11 years ago and since, it has been bringing positive vibes to North and Northeast Portland by bringing folks in who thought it wasn’t really “Good” in the “Hood”, thanks to negative press.”

The changes and gentrification he has witnessed as a resident of North Portland over decades brings tears to his eyes. "What hurts me about the journey of the neighborhood is how much it's changed,” he said sadly.  “I get tears in my eyes when I drive past 7th and Alberta where Coast Janitorial used to be. Coast used to give lots of folks work and I see a lot of other spots like that now that used to be predominantly African-American. It was a struggle then and the struggle continues.”

While Sylvester still mourns the losses that have beset his community, his spirit is buoyed by the awakening he has also witnessed over the course of his lifetime.  “I have a video of a song called “I Don’t Know What This World Is Coming To”,” he reflected. “It is about George Floyd and the very pivotal and enlightening time we went through last year when there were people who hadn’t ever experienced racism, laying down on the bridge in protest. As an elderly person in the community, I just want to support that because Black Lives DO Matter. I remember Medgar Evars. I remember Martin Luther King. I remember Emmett Till's death. Every day felt like the darkest days in the world, but that was life. After these dark days, there will be light, because people are out there shining light on the situation. It’s a shame that we still have to be singing “We Shall Overcome” after all this time. I want to be singing, “This little light of mine, I’m going to let it Shine”. Shine your light on the problems and bring them out of the shadows. Put your light on it with your words, your letters to your Congresspeople and Representatives. Speak your words and let’s not tear down our neighborhoods and everything that we need. Let’s march, speak our words, try and get into politics and into positions where we can make a change. We need a seat at the table. We just gotta keep holding on and keep struggling.”

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The struggle continues and has taken on new meaning since the COVID 19 pandemic gripped the nation and the world. “The pandemic for me has been a family bonding and soul searching time,” mused Sylvester. “I have always valued my family, but now, I value them 100 times more. I had a major surgery back in January and my last live club gig was March 13th. Since then, I have been doing virtual videos, writing at home and my band has been submitting studio pieces that we have recorded at home. The bass man mixes it down into a song, my daughter records her part on her IPhone and sends it to us. We have had to reinvent the way we make music virtually and that’s a learning curve for a 75 year old man,” he said with a laugh. 

Awareness of his health and the need to be proactive in finding solutions to the crises facing his family and community led him to testify in front of the legislature on a panel for Healthcare for All Oregon. “I sang a song called “Healing the Healthcare Blues”, because we as African-Americans need healthcare for these underlying conditions that plague us. Healthcare is a human right and that is where we need to be focusing a lot of our energy. Human rights, equality, accountability, healthcare are so important. Even though we are scattered all over the place in Portland, we can still have unity.” 

Despite the vast changes across the entire sociopolitical landscape, Sylvester believes that there are incredible opportunities for musicians recently entering the field as long as they stay true to their purpose. “What I would say to young people is do what makes your soul feel right,” he stated passionately. “You might be a spoken word person, you might be a hip-hop person or a rap person, you might be blues, you might be jazz. Find your genre.” In addition to pursuing one's Soul and driving force, it is the business of music that he feels is the most important factor to take into consideration when getting into the industry. “I’ve always been a Union person,” he said firmly. “I have an attorney and am aware of copyrights. I copyright all my materials. Know the business of music because it is the business that can wear you down. Before you play your music for anybody, do a statutory copyright. Put the lyrics and words in an envelope with a signed receipt and send it via registered mail to yourself. Never open it because that’s your copyright. Go to Sound Exchange and if your song ever gets played on the internet, Sound Exchange will recoup your money if you are a member of BMI and/or ASCAP.”

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Throughout his 75-year journey as a man, husband, father and musician, Norman Sylvester considers his greatest accomplishments to come from the people he is closest to who surround him with love. “If you ever ask me what the biggest accomplishment of my life is, I will say fatherhood,” Sylvester concluded. “I have children on this planet that call me out of the blue and ask me how I am doing, that’s my Grammy right there. When I’m on my rocking chair with my guitar, even if I’m not strong enough to do the rocking, I have a family that will do the rocking for me and keep me going.”

Johnny Huff ⎜Room for Everybody at the Table

Join community luminaries, Johnny Huff and John Washington for an energizing episode of Black Beat. Founded in 2017, Everybody Eats PDX is a labor of love produced by Chef Johnny and his business partner, Chef Marcell Goss. Born and raised in Portland, Oregon, both graduated culinary school locally and have built an eatery that has garnered a reputation for giving back to the community in ways big and small. From food locally sourced using the finest Oregon/Washington ingredients, to Huff and Goss' commitment to feeding activists and community members turning out in the streets for Black Lives, Everybody Eats PDX is a business worthy of support and a model worth replicating.

What Black Beat Host, John Washington and Johnny Huff talk about:

  • The inspiration for Everybody Eats PDX

  • Huff's non-profit, Black and Blue PDX a novel approach to addressing the tension that often exists between Black youth and police officers

  • The impact of COVID-19 pandemic upon the business

  • Challenges and successes of being a Black Business and Non-Profit owner

  • Advice for other aspiring restauranteurs seeking to get into the industry

  • Links to support Everybody Eats PDX and the work of Black and Blue

Thank for tuning in to Black Beat. We take pride in improving people's perceptions of capability, significance and influence in their lives and in their communities. 

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Join community luminaries, Johnny Huff and John Washington for an energizing episode of Black Beat. Founded in 2017, Everybody Eats PDX is a labor of love produced by Chef Johnny and his business partner, Chef Marcell Goss.

Everybody Eats PDX, isn't just a hub for down-home Southern comfort food: Founded in 2016, Everybody Eats PDX is a labor of love produced by Chef Johnny Huff and his business partner, Chef Marcell Goss.  "I knew I wanted to work for myself but didn't know what to do," shared Huff. "Cooking brings me joy and was the only thing I could see myself doing, so I took it seriously, learned the in's and out's, got mentors, and launched the Everybody Eats brand."

Johnny Huff and Marcell Gross are business partners in Everybody Eats PDX

Johnny Huff and Marcell Gross are business partners in Everybody Eats PDX

Born and raised in Portland, Oregon, both Huff and Goss graduated culinary school locally and have built an enterprise that has garnered a reputation for giving back to the community in ways big and small. From food locally sourced using the finest Oregon/Washington ingredients, to Huff and Goss' commitment to feeding activists and community members turning out in the streets for Black Lives, Everybody Eats PDX is a business worthy of support and a model worth replicating. Previously located in SE Portland and currently anticipating it's grand opening in a new location in the Pearl District, the restaurant is well known for their commitment to food security. Anyone walking through the door who identifies as food-insecure gets significantly discounted meals and every order placed helps cover the cost of a meal for someone struggling to eat. Users who identify as food insecure may complete a survey to begin receiving discounts https://www.surveymonkey.com/r/T929QHF or come to the restaurant from lists provided by local food banks that they are partnered with. 

In addition to the Everybody Eats brand, their nonprofit, Black and Blue PDX, works toward fostering understanding and positive connections between young Black Portlanders and police officers in an attempt to keep Black youth out of the criminal justice system. 

"It was Marcel's idea, a nonprofit he had before I met him," Huff explained. "The way it works is kids and officers partner to make a meal of their choice or something we choose together and talk about their lives so when they see each other in the streets, they already know each other. When you actually know a kid, maybe you are not so quick to draw your gun and instead sympathize with him and he in turn is more likely to do what the officer said and encourages his buddies to do the same. This leads to less young people that we have to say RIP to."

Despite having a solid vision and clientele base, the impact of the COVID-19 pandemic upon the business was profound. "Before COVID, the catering business was big," Huff remembered. "We had big contracts and catered big events. Once COVID hit, we had to adjust. We could have shut down, but we had employees counting on us and their income so we kept going and restructured with help from MESO, Rosewood Initiative, local companies like APANO, SEI and other entities that helped keep us afloat. We also got a grant through the CARES act when catering dropped 90 percent. That definitely helped us through," he said. 

Huff puts to good use all he has learned over the years from the challenges and successes of being a Black Business and Non-Profit owner. His advice for upcoming and aspiring restaurateurs is to keep overhead low and quality consistently high. "It's not like selling any other product or merchandise," he cautions. "Food prices are going up and I would say that saving is important. You don't know when problems will arise or when you will need to fix equipment. To save money, I would suggest doing as much of the work yourself before you outsource labor.”

In conclusion, Huff advises that consistency and originality are the keys to success. "The most important thing is to stay consistent, always stay authentic, carve your own lane, blaze your own path and stand out from the rest. Believe in yourself even when no one else believes in you. I kept going and kept believing even when I thought I could never even sell a few plates of food. My secret is not showing my hand. People never know what to expect from us, what's next or what's coming. They have come to expect that it's always something crazy with us," he said with a laugh. 

To contact Everybody Eats PDX, call or visit:

Phone: (503) 318-1619

Facebook: https://www.facebook.com/everybodyeatsPDX/

Instagram: https://www.instagram.com/everybodyeats503/?hl=en

Jeanette Ward-Horton - Turning Over A NuLeaf

Want to get current on the state of Cannabis Equity in Oregon? Don't miss this episode of Black Beat where we welcome Executive director for the NuLeaf Project, Jeanette Ward-Horton to the show. Under Horton's leadership, NuLeaf Project’s work is specifically designed to address the three most common equity hurdles for all marginalized groups when starting a business or a professional career: capital, education/exposure, and connection. Horton describes the organization's work and funding sources for cannabis businesses in addition to skill-building and mentoring for entrepreneurs and professionals, and national and state equity policy development and advocacy.

What Black Beat Host, John Washington and Jeanette Horton talk about:

  • History of NLP and Horton's work in the field of Cannabis equity

  • Methodology for surmounting equity hurdles for marginalized groups

  • Roster of NLP business support programs

  • HB3112 which establishes Cannabis Equity Board within the office of the Governor to provide equity oversight of cannabis industry in this state.

  • NLP's agenda and next steps moving into the future

We want to hear from you.

Phone: (503)-841-5032

Email: info@flossinmedia.com

For more unapologetically Black stories and inspirational media coverage of capable, significant and influential motivators in our community, follow us on social media and send us your thoughts:

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Want to get current on the state of Cannabis Equity in Oregon? Don't miss this episode of Black Beat where we welcome Executive director for the NuLeaf Project, Jeanette Ward-Horton to the show. Under Horton's leadership, NuLeaf Project's work is specifically designed to address the three most common equity hurdles for all marginalized groups when starting a business or a professional career: capital, education/exposure, and connection.

In 2014, Oregon became the 3rd state to overcome “Reefer Madness” by legalizing recreational cannabis use and possession by people 21 and older. Despite the fact that growth, sales and consumption of the product remain federal offenses, the legal cannabis industry continues to boom and opportunities to make serious money abound in States that embrace the industry potential. 

Despite these historic strides, little has been done to address the havoc wreaked by the “War on Drugs” and marijuana prohibition on Black, Indigenous, Latin/o/a/x communities. As with nearly every other “war” waged by the power elite in the U.S., it is people of color who have borne the brunt of disproportionate enforcement of drug and marijuana laws and the subsequent real life consequences that result from criminal records and felony convictions.

Predictably, those hit hardest have also been the last ones to reap the spoils of cannabis legalization. Statistics show that more than 99% of those who hold licenses to legally sell cannabis are white, while those still suffering the consequences of prohibition in the form of drug convictions for marijuana possession remain disproportionately Black, Indigenous, Latin/o/a/x and other people of color.

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Enter NuLeaf Project. NuLeaf‘s work is specifically designed to address the three most common equity hurdles for all marginalized groups when starting a business or a professional career: capital, education/exposure, and connection. Executive director, Jeannette Ward-Horton, describes the organization's work as skill-building and mentoring for entrepreneurs and professionals, and national and state equity policy development and advocacy. “Nu Leaf was founded in 2018 in PDX in response to voters who made the City the first to cut checks to the Black, Indigenous and Latin/o/a/x communities from Cannabis taxes to help repair harm,” she shared. “One of the ways that Portland voters said they wanted to do that was to invest in cannabis businesses owned by people of color. NuLeaf was formed to help move those funds and as we have grown, our goal has become to help build generational wealth. We do that through finding funders and through activism on the State Equity bill.”

The bill Ward-Horton refers to is HB 3112, the Cannabis Social Equity Act. Introduced by a coalition of legislators in the Oregon State Legislature, HB 3112 was led by former State Rep. Akasha Lawrence Spence and backed by the NuLeaf Project, the Oregon Cannabis Association, the Oregon Retailers of Cannabis Association, the City of Portland, Urban League, and law students from Willamette University. “Cannabis equity has become a standard in other legalized states.  It consists of three parts. One is making those tax investments towards repairing harm in Black, Indigenous and Latino/a/x communities.  Two is expungements and states have begun setting a standard of automatic expungements which we have in this state. Lastly are cannabis equity licenses.” 

In addition to programming structured towards restorative justice, NuLeaf focuses a great deal of attention and resources on opportunities for BIPOC to create generational wealth. “We are amassing a significant ongoing fund for the restorative justice investment which comes from 2 sources: cannabis taxes and the criminal fines account,” Ward-Horton explained. “The criminal fines account is where you 

pay a speeding ticket or where you pay a cannabis charge. Those 2 accounts make up a $100 million dollar fund per biennium and growing for homeownership, land ownership, jobs, and education. Really, the things that generate wealth and income, those are the programs they are investing in. I’m proud to say on this show that there is language that prioritizes our communities because, hands-down, our community was disproportionately police and sentenced and the community that took the brunt of economic detriment.” 

With a stated mission to “build intergenerational wealth via the legal cannabis industry for the communities disproportionately harmed by cannabis criminalization“, NuLeaf Project offers a suite of services that support aspiring entrepreneurs and ancillary industry professionals. NuNetwork is a diverse group of award-winning business owners, C-suite executives, and leading cannabis experts who are committed to helping people of color overcome equity hurdles., NuSchool is targeted and personalized so business owners get fast, effective up-skilling and knowledge while NuFuel is “funding for cannabis businesses with a priority placed on funding businesses 51%+ owned by people from communities disproportionately harmed by cannabis criminalization — Black, Indigenous and Latina/o/x”. For those interested in jobs within the industry, NuProfessional functions as a job board and community for professionals of color who are interested in joining the cannabis industry.  

“I am very passionate about entrepreneurship and building generational wealth in our communities,” Ward-Horton enthused. “For anyone who is listening and who is thinking about becoming a cannabis entrepreneur, send us an email at info@nuleafproject.org. We hope we can educate people about what the opportunities are and help people be more comfortable with the financial opportunity that we think is here for our community.”

To contact Jeannette Ward-Horton and/or NuLeaf Project, visit: 

Website: http://www.nuleafproject.org

Email: info@nuleafproject.org

Facebook: https://www.facebook.com/Nuleafproject/

Instagram: https://www.instagram.com/nuleafproject/

Renee Mitchell - Spreading the Black Joy Virus

Today’s Black Beat is honored to introduce local celebrity and Pulitzer Prize nominated Writer and Speaker, Educator, Performer, and ”Creative Revolutionist”, Renee Mitchell. As an expert trainer in Youth Empowerment, Trauma-Informed Practices and Social Emotional Learning from a heART-centered, culturally relevant framework, Ms. Mitchell is also the visionary behind Spreading the Black Joy Virus and the I Am M.O.R.E. youth development program. According to her website profile at https://www.reneemitchellspeaks.com/aboutrenee, she is currently developing I Am M.O.R.E.'s theory of change, called Empowered Resilience™ , as a doctoral candidate at the University of Oregon (2021). Her work intends to create a national example of how to empower and build hope and resiliency in youth of color with profound love, culturally relevant social-emotional skill building, and youth voice-centered programming.

What Black Beat Host, John Washington and Renee Mitchell talk about:

  • Where Renee got her start

  • Challenges and successes

  • What it means to be a “Creative Revolutionist”

  • youth development and empowerment programming

  • successes and challenges working with youth

  • Spreading the Black Joy Virus

  • Strategies and assistance for coping with the pandemic

  • How listeners reach out to Renee and support her work

Thank you for being a part of our show where we take pride in improving people's perceptions of capability, significance and influence in their lives and in their communities.

We want to hear from you.

For more unapologetically Black stories and inspirational media coverage of capable, significant and influential motivators in our community, follow us on social media and send us your thoughts:

Phone: (503)-841-5032

Email: info@flossinmedia.com

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Today's Black Beat is honored to introduce local celebrity and Pulitzer Prize nominated Writer and Speaker, Educator, Performer, and "Creative Revolutionist", Renee Mitchell. As an expert trainer in Youth Empowerment, Trauma-Informed Practices and Social Emotional Learning from a heART-centered, culturally relevant framework, Ms. Mitchell is also the visionary behind Spreading the Black Joy Virus and the I Am M.O.R.E.

"I got here through a whole lot of trauma," shared Pulitzer-prize winning writer, author and “Creative Revolutionist'', Renee Mitchell. A survivor of domestic violence, sexual assault and bullying throughout her K-12 experience, Ms. Mitchell grew up as one of one of very few black children in her school and weathered more than her fair share of racism and oppression. “I didn't hear a lot of affirmations so I had thoughts of suicide. I was a sad, sad kid. All of these kinds of experiences I've had though, have given me a real depth of compassion and really helped me understand how important it is to be very heart-centered. What I do is really try to help other youth realize their own potential and understand that trauma is not the whole of their story but it can inform who we are becoming."

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 After 25 years as an award-winning newspaper journalist Renee reinvented herself as a “Creative Revolutionist”. “I actually came up with this term because people would just say 'Well, what do you do?' I always had this thought, 'Well where do I start?' I love every form of creativity. It's all about creating revolution in different ways so I just made up a title that seems to encompass the breath of what I am about. " 

What she is about is luminous and multifaceted in approach. In addition to co-founding a culturally specific, drop-in DV resource center; she also shares her talents throughout the community as a poet, playwright, performer, speaker, teaching artist and self-taught graphic designer who creates and contributes to empowering projects and programs, community healing ceremonies, plays, songs and books about healing from trauma.

"Anything that anyone is capable of, once you give yourself permission to do that without judgement, or without listening to those voices, you know, that ‘inner critic’, you can accomplish anything. As long as it comes from your heart, it's there for a reason and it's just up to each of us to excavate it out of whatever box we are putting it into."

One of the ways that Ms. Mitchell applies her life experiences and helps youth to process trauma, is through a development and empowerment program she co-founded, I am M.O.R.E. (Making Ourselves Resilient Everyday).

"Authentically I  had to go through my own journey and it is basically a similar journey I take the youth through, particularly youth of color and most particularly, Black youth. It started when I was a teacher at Roosevelt High School and for a couple of years I was the only Black teacher. There is an organization, "Stand for Children'' which is nationally based but it was started here in Portland. Every year they give out these scholarships called "Beat the Odds" and they are $16,000.00. At Roosevelt, we may have had one student a year or sometimes none, get this scholarship and of course as a writer I am always trying to encourage young people to write their own stories. I teach this process, "don't just tell your story you need to own your story" and that means you need to figure out what it's trying to tell you and which direction it's leading you in. From that perspective, Stand for Children awarded 4 scholarships in Portland. 3 of the 4 were my mentees in my Black Girl Magic club. This was significant that 3 of them, the same year, all black girls, got this scholarship. I talked to them and said, 'We need to put a flag in the ground. This is amazing. This is different. This is something that never happened before.' So we came together and said let's create an organization. 

The result of the collaboration was immediate and impactful. “We really didn't know what we were going to do,” shared Ms. Mitchell. “We just said, ok, well maybe you all who have experienced trauma, homelessness, poverty, being scared for your life, coming to the country without knowing the language, all of these different kinds of traumas they have experienced and that have shaped them, now they can go and empower other youth. Maybe 2 months later we had our first performance at the MLK annual tribute in 2019.”

Her background informed her approach to helping the youth enrolled in her program. “I do theatre too, and that's how I came to really understand myself because it was easier for me to become someone else on stage then it was to be myself,” she reflected. “I used those same theatre skills to help these young people weave their stories together. This was the first time they had ever told their stories in public, so they were a little nervous. You could hear it in their voice, you could see the tears but what it did was transform their relationship to their story because adults were coming up to them and saying, ‘Oh my God, I'm so glad you shared this’, ‘you are so brave’, ‘I found myself through your story’, ‘You brought me to tears’. More young people started to hear about what was happening, put their stories into this graphic novel, and then I got all these young people saying 'I want to tell my story!', kids who had never talked about the things that had happened to them and started to understand that trauma is not all of who we are. We can use it to be able to inform and inspire and help other people feel like they are not alone in what they are experiencing.

Within 6 months. I am M.O.R.E had its first national invitation to open up at an annual-trauma informed conference in Philadelphia. “We took 6 young people to Philadelphia, New York and D.C. It was an amazing experience,” Mitchell remembered. “We knew we were on to something when they got a standing ovation and we wound up teaching a workshop on ‘What do youth need from adults?’ We had those adults in tears because it was young people who had the agency to talk about some of their deepest trauma in a way that inspired and empowered other people. It raised the question, ‘what are you doing with your life? What are you doing with your trauma? How are you helping other people understand that they are not alone?’ Since then we have presented at other national conferences and we have been paying youth because I am M.O.R.E. understands that when we ask you to share your story, this is something that you are an expert in. You are an expert in your life. So we pay them and every time they get in front of a microphone, they get a check. It shifts their way of thinking about the relevancy of who they are and what they have to say. It empowers them.”

The Black Joy Virus Campaign is Ms. Mitchell’s most recent contribution to the healing of youth and her broader community. "This also came out of trauma. When the pandemic hit, I was caught up like most other people. I was feeling anxious, I wasn't sleeping, I wasn't eating. One day, I'm standing in front of the hardware store on MLK with my mask on, just trying to take care of business, but just not even really present. There was this older black gentleman who was walking toward me and I didn't know him but instinctively, when he got in front of me, I gave him the 'nod' right? It's just something we do. He gave me the nod back and just kept walking. Today I wouldn't recognize him if I saw him again but in that moment, he gave me a visual hug and that was exactly what I needed. I still get emotional when I think about it because it was like he saved me. He saw me and acknowledged my dignity. It changed everything for me in that moment. Out of that, came the idea for 'The Black Nod' which was the film that you (John Washington) were in. I was like, wow, I need to make a movie about this because it affected me so deeply. From that movie, we started learning things I didn't know like this is something people in Africa do and there's all different kinds of nods and that there were different reasons and rules to it. I am seeing all of this anxiety that people are having, I'm seeing the protests and all of this unearthing of all that was already there with the oppression, but now the world was paying attention to it, right? It brought up all of this anxiety because there were more black deaths and more Black anxiety and it also brought up that I want JOY. I want to laugh again. I knew that if I wanted that, other people wanted that. And so that was what started the Black Joy Campaign. It is about how we, as individuals, can share JOY with others. We can reach back and fetch our ancestral wisdom, our ancestral resilience, our ancestral joy, our ability to make a way in spite of no way, we got that, right? So how can we remind ourselves of that kind of depth of joy that we have? That is what the campaign is all about.”

Despite the heightened anxiety and trauma brought to the entire collective of human consciousness by COVID -19, the pandemic actually affected the work of I am M.O.R.E. in a good way. “We did a summer internship last year. It was our first internship. We have only been operating about 2 years and 2 months and last year we partnered with the City of Portland and Multnomah County through their Summerworks program. We had youth and 3 different cohorts go through our internship process and they were paid to do that, to learn the I am M.O.R.E. process. It's a three-step process, one that I have been through myself. It starts with Inside out, a process where they learn to be researchers of their own lives. They are guided to understand how traumas are signposts to their becoming so they connect the dots between what they experience and what they are hoping to do in life. The next step is Outside Up, which is when we guide them to direct the gaze outside of themselves and what they can do in their family, school and community and society to make a change. It's a social justice kind of mentality, a critical conscious raising about racism so kids stop internalizing when someone treats them badly. They start to understand that this is a systemic issue and so it also reframes their understanding about the world. The third and final step is Up and Beyond which is a platform to share their wisdom. We took them through this process over the course of the summer internship and they felt so connected to each other because they have this safe space online where they were talking about real stuff. They extended the internship until December just because it met their needs and I am M.O.R.E. is planning our next summer internship. We are adding How to become an Entrepreneur, How to understand what your Brand is, how to understand what your story is and out of that story, a sense of what wisdom is. We teach them public speaking, about mindfulness and how to settle themselves down, social emotional learning and getting in touch with your body. All of these skills that will serve them the rest of their lives, we are really, subtly training youth of color to be revolutionaries in their communities by giving them all of these skills that they don't get in high school.” 

Her soulful and soaring presence is exemplified by the wisdom and compassion she practices every day of her existence. “We rise by lifting others,” Ms. Mitchell glowed. “I wake up with joy every day because of the work spreading the Black Joy Virus and because of seeing the effect on these young people. This is also an intergenerational campaign. Me being able to help them tap into their joy is the greatest piece of joy that I have ever experienced. Not because of what it is doing for me, but for what I am doing for others. This is a spiritual principle and more people need to be waking up to it. The theory of I am M.O.R.E. is when I am grounded in my power, I AM power." 

It is that power that drives Ms. Mitchell and her mission forward and has garnered her widespread acknowledgment, kudos and support. "This is my commitment to my community, to spreading joy, to spreading hope and love,” she shared with deep sincerity. “As a creative consultant, I am all about healing. I am about being heART centered and focused on how we can support each other and how I can get you to tap into what is already inside of you that is just waiting for you to pay attention to it. All of the joy, all the love, all the creativity, it's all there but you are overlooking it because it's encased in trauma. Sometimes you have to go through the trauma to get to the shadows. Beneath the shadows are everything you've ever dreamed for yourself. “

To connect with Renee Mitchell use the following links:

www.Iammoreresilient.com 

www.spreadingblackjoy.com

www.reneemitchellspeaks.com

Easy McCoy - Music & Motivation The “Easy” Way

Musical legend Michael Greene, aka Easy McCoy, joins Black Beat host, John Washington for an unforgettable glimpse into the 20+ year career of one of Portland’s premier hip-hop artists. Raised on the mean streets of Seattle's Yesler Terrace neighborhood, Easy McCoy has spent over 2 decades writing, publishing, performing and producing his music. His new endeavor, Entity music group, is focused on helping young artists seeking to forge pathways in the music industry and gives them opportunities to sign with the label. He is also a fitness aficionado and a dedicated believer in the power of faith, consistency, and having an indomitable spirit that never gives up. 

What Black Beat Host, John Washington and Easy McCoy talk about: 

  • His journey from the streets to Hip-Hop artist, lyricist, producer

  • His health and fitness regiment

  • Highs and lows experienced along the way

  • His perspective on current industry trends and how artists are monetizing their brands

  • Successes and challenges navigating the music scene

  • Thoughts and perspectives on race relations and realities in America pre and post pandemic

  • His latest endeavor, Entity Music Group

  • How he has navigated the effects of COVID-19 and resources he has tapped into to keep going

  • His advice and contact information for aspiring musicians hoping to sign with his label

Thank you for being a part of our show where we take pride in improving people's perceptions of capability, significance and influence in their lives and in their communities.

We want to hear from you.

For more unapologetically Black stories and inspirational media coverage of capable, significant and influential motivators in our community, follow us on social media and send us your thoughts:

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Musical legend Michael Greene, aka Easy McCoy, joins Black Beat host, John Washington for an unforgettable glimpse into the 20+ year career of one of Portland's premier hip-hop artists. Raised on the mean streets of Seattle's Yesler Terrace neighborhood, Easy McCoy has spent over 2 decades writing, publishing, performing and producing his music.

Looking at him, one might think that Michael Greene, aka "Easy McCoy" was born with it. His easy demeanor and soulful presence belies a difficult start growing up on the mean streets of Seattle's Yesler Terrace neighborhood. Rising triumphant from the rubble of his tumultuous childhood, McCoy has since enjoyed over 2 decades in the music industry, writing, publishing, performing and producing his music.

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"Like a lot of young Black males growing up in the inner city, I came up having to believe in myself by any means necessary, so I made it happen with no excuses," he remembered. Minus a Father and Mother around to guide him, he experienced many challenges and pitfalls of navigating his reality on his own. “Being in the street led to being locked up for gang stuff, all those things that happen without a father in the home that was raising you or someone constantly really pushing me to do what was right," he shared. "That being said, those experiences led to me finding who I was and to spend over 20 years in the music industry, sharing my story and all of its ups and downs. The one thing I didn’t do was give up."

McCoy's spirit for making music was also rooted in his culture and experiences as a young man. “When you are raised in the inner city, gangs are part of the culture but music is also part of the culture. Hip Hop is a big part of the culture. At a young age, when I was rapping on the corner and freestyling with my homeboys beatboxing it, that was some kind of voice. Being raised in the inner city, people don’t really listen to your story because they don’t want to hear it, but when you start rapping it, they start paying attention.” 

His sincerity and faith-based approach attracted the attention of a Christian music label who was eager to sign him on. Despite his imperative to share his story from a positive framework, McCoy resisted being put in a box. “I never looked at myself as a ‘Christian Rapper’. You don’t hear people say ‘There’s a Muslim Rapper’ or ‘There’s a Hindu Rapper’. I was just speaking my faith through my music. I got a record deal and with that record deal, I realized I could be in a positive light and that was cool. I’m not on the label anymore because my Jesus count wasn’t high enough. They want you to say Jesus all the time and at some point that becomes fake. They were trying to control me, what I say and how I say it. Me coming from where I come from, I knew that wasn’t going to hit the people I was trying to reach. I had to get loose of that control because I just want to do music. I don’t want to be pigeon holed. Whether you are painting, writing, breakdancing, or just dancing, we are all telling a story. So what story do I choose to tell you all? If I am talking about Christ, Yahweh, God, that’s a part of my story. Everything ain’t negative everything ain’t gun gun bang bang. There is family life. There is real structure there and as a Black artist, I really want to share that."

A critical component for McCoy is applying discipline to everything he does, including health and fitness. ”For anyone, Man or Woman, health and discipline is a big part. It translates over to your business, to your relationships, to how you handle your money and people in your life. It doesn’t mean me doing a thousand pushups, it means me being disciplined through changes in diet, changes in exercise, changes in habits. I am not perfect by any means but I’m learning to strive to do something different. I am waking up at 5am to work out or go running, I write rhymes all day and choose what I am putting in my body.  I am 45-50 percent vegan, trying to get to 100 percent. Being aware, being conscious of the God body we got, that’s important to me because I wasn’t always conscious of that. Now I am doing my best every day to be conscious of that.” 

The discipline it takes to maintain his Family structure is the foundation for his drive to succeed in business and life. "My Son needs help with homework and I have a new baby on the way and with that, I have to have incredible focus. My determination for getting up at 5 am is to see my fiancé and kids sleeping peacefully. That is my motivation to keep going. They know they can depend on me to do everything I need to do in my life and that’s important when you call yourself a King. When you got a castle, there is no sleeping in. To run a kingdom you got to be the best,” he said with a laugh. 

While his journey has been steeped in successful high moments, he credits the low moments he has experienced for showing him the depth and breadth of his character. “When I kept going, I appreciated those lows a lot more. I’ve had moments when I sat in my home not knowing what I am going to do with my life, like when I lost two homes and when I was trying to deal with not being able to see my children. At the same time, I was continuing to do music, music deals, music videos, working out. The lows really lift you up when you understand the reason for them. Because it’s a test when life keeps throwing bricks at you to see if you will quit. It’s a simple thing. Never quit. Keep going, keep walking no matter how hard it gets. That’s why I do a thousand pushups. The hardest moments are in the beginning but by 700-800, it’s just flow. I break through. It’s all about breaking through. You gotta break through the lows because then you will appreciate the highs so much more.”

One of the highs that keeps McCoy going and striving forth, is helping other young artists break into the music industry and get paid well for their craft. Aside from touring and making albums, he also helps those with the drive to create and work hard to tap into other means of distributing their music.

“What I am focusing on is doing music for television, which I got into 15 years ago.  I had always noticed that when I am watching TV, there is always music and somebody is paying for that. Somebody has to pay somebody else to use these songs.  I cracked the code and discovered that it is a better way to hustle in the music game because you have more control over your career. You don’t have to tour, you don’t have to sell your Soul, you don’t have to give up your rights or do things that make you mad. Since I am already established now, I want to open up those same doors for these young people to be able to get deals on their own, not sell their Soul and be able to make money for their families and for their college. I'm trying to open up another way for these artists to tell stories with other stories." 

His passion for helping artists find avenues to tell their stories and stories of others, led him to form his own label, Entity Music Group. "What I wanted to do with this team when I started Entity was to help artists out. I've seen too many artists get robbed, so many artists not get opportunities. I've seen talented artists be depressed because they put in so much work and nothing has ever happened. So for me and my team, for the publishers and other teams I work with, we created a forum where we could really help these artists, not rob them because we know how much money is in sync, how much money is in television. It's a $190 billion dollar industry. Touch even 1 percent of that and you will be changing lives. That's why we created Entity. We want to teach artists and creatives the business side too so they know the value they have."

Artists knowing their value are critical in a rapidly-changing industry with even more rapidly advancing opportunities. “With this digital industry, it is easy for artists to get in because you can create from home and there are so many different ways for artists to get paid through digital distribution channels. In the digital age, we are also talking crypto-currency which is kind of like an internet boon. Anyone who is smart can be capitalizing on it. By next year do you know how many millionaires there will be who have invested in NFT's(Non-fungible Tokens)? The sky's the limit, you just have to study. In this digital age with Netflix and streaming, music is needed for everything. It is so easy to do it if you work hard and know the right people. The lane is wide open."

His style and diverse portfolio include an upcoming album and numerous collaborative opportunities. “I have so many projects coming out like singles, ESPN, stuff with NIKE and more. I have got a project coming up with Northstar Media and singleS being released throughout the month of March and April. I am not exclusive. No one owns rights to just me. Every deal I do with companies, I do on different terms which have given me leverage to do multiple styles, so everything is not sounding the same. These songs are like stocks to me right now."

Despite the deleterious effects of the COVID -19 pandemic on the economy, the music business has been booming and his stocks are rising. "For me and my craft, it affected me in a great way," he said with a smile. "It was one of the best years I have had. No one was doing anything, so I was recording a lot, going to the studio and doing one on one sessions. Because everybody was home, there was a huge demand for movies and songs to go with those movies. Everybody was watching TV, so I was putting the work in. I was creative." 

The advice Easy McCoy hopes to impart to young artists includes words of wisdom with regards to the inner grit, determination and self-assurance it takes to succeed in the industry and in Life. "Faith without works is dead. You aren't going to be the greatest being soft. Period. Stop letting people tell you what you ain't when you know what you ARE. Stop wasting time for someone to come along and do it for you. Build solid relationships. Don't step on anybody, because you might need them 20 years from now and they might be your catapult to be as big as you are. Study what you want to do. Study the game. Learn the business. Put the phone away, put the work in and don't give up. God, The Universe, however you want to say it, they work around those who don't give up. I have never seen anybody who believed in themselves, who didn't give up and who put the work in, not achieve. Some of you don't believe. If you really believe, you will put the work in every day and put your money and time where your mouth is."

Listen, Learn and Follow Easy McCoy Here:

https://www.instagram.com/easymccoy/


https://twitter.com/easymccoy?lang=en


https://www.youtube.com/results?search_query=easy+mccoy


https://www.musicbed.com/artists/easy-mccoy/43929

Marquise Johnson-Bey - Moorish Musings through Abstract Visionz

This episode of Black Beat features local artist, entrepreneur and Deputy Sheik of the Moorish Science Temple, Marquise Johnson-Bey. Born and raised in Portland, he got his start capturing basketball games with legendary Harlem Globetrotters, Les “Pee Wee” Harrison and Meadow “Meadowlark” Lemon. After years building a reputation as an unforgettable artist, photographer, videographer, textile designer and all around creative, Johnson-Bey started an online website platform for artists under his company’s name, Abstract Visionz. As a deeply spiritual devotee of the Moorish Science path, Marquise serves in a position of leadership at the Moorish Science Temple. 

What Black Beat Host, John Washington and Marquise Johnson-Bey talk about: 

  • Johnson’s background and inspiration for Abstract Visionz

  • Background and history of the Moorish Science Temple and his position as a Deputy Sheikh

  • Successes and challenges navigating his chosen career

  • His thoughts and perspectives on race relations and realities in America pre and post pandemic

  • How the pandemic has affected him and his business

  • How he mitigated the financial blow of COVID -19

  • His advice for aspiring artists and photographers seeking a career

  • How our listeners can reach out and contact him

Thank you for being a part of our show where we take pride in improving people's perceptions of capability, significance and influence in their lives and in their communities.

We want to hear from you.

For more unapologetically Black stories and inspirational media coverage of capable, significant and influential motivators in our community, follow us on social media and send us your thoughts:

Phone: (503)-841-5032

Email: info@flossinmedia.com

Website: https://www.flossinmedia.com

IG: https://www.instagram.com/flossinmedia/

Facebook: https://www.facebook.com/flossinmedia/

Twitter: https://twitter.com/flossinmedia

YouTube: https://www.youtube.com/user/flossinmediatv

LinkedIn: https://www.linkedin.com/company/flossin-media/

This episode of Black Beat features local artist, entrepreneur and Deputy Sheik of the Moorish Science Temple, Marquise Johnson-Bey. Born and raised in Portland, he got his start capturing basketball games with legendary Harlem Globetrotters, Les "Pee Wee" Harrison and Meadow "Meadowlark" Lemon.

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 Even in a community as diverse and multi-faceted as the Soul District in Portland, Oregon, local artist, entrepreneur and Deputy Sheik of the Moorish Science Temple, Marquis Johnson-Bey, stands out on the landscape. “I’m an artist who likes to stay creative and help his people out any way I can,” he shared. “How I have been doing that lately is through my art and helping push the nationality narrative forward.  I like to use my art to do that.”

His local roots and passion for art spans more than 25 years. “I was born in Portland and was in the U.S. Navy for about 4 years between ‘97-’01,” remembers Johnson-Bey. “After that the creative bug kicked in and I started a publishing company with a Friend/Brother of mine, Samuel Irving. We started Abstract Visionz in 2001 and used to publish poetry chat books and used to do art poetry shows and things of that nature. He passed away in ‘05 and I took a hiatus because it messed me up a bit. Around 2010, I got into photography and started hanging around with these two guys, Jim Kemper and Michael Washington, from Bongo Media. Through them, I met Les and the Globetrotters. It’s been a nice journey.” 

His journey led him to pursue an education in art and photography.  “I was taking some photo classes at the San Francisco Art Institute,” he reminisced. “When I got there I started shooting these images called ‘Nubian Guards’. I would recreate images of these Nubian Guards in ancient times. I took these images to my Professor at the time. He looked at my images and my inspiration for the images, a painter named Ludwig Deutsch, who was an Austrian painter who went around the world painting Moors of old times. He painted them in their own environments, whether it was Austria, Hungary, the Americas or Africa. The ones that I came across were here in America. Since the Moors were also painted along with Jewish communities, that led me to think, ‘Where were the Moorish communities?’ 

His research led him to expand and deepen his quest and he began travelling around the country. “After doing all this research, I went to Oakland, Baltimore, D.C., Seattle and a couple more spots back East. It was when I went to Baltimore that it all really hit when I found the Moorish Science Temple of America: The Divine and National Movement. I was given all this information that started to snowball and I found the Moorish School of Law and History which has been in operation since the late 60’s, early 70’s. This school was actually set up to replace the Freedmen's Bureau which functioned to educate ex-slaves. I went back to Baltimore, talked to the Grand Sheikh and other members, did more research and that took me back to Portland, because I found some Moors here too.”

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Johnson-Bey’s art education deepened with his research and he found himself delving deeper into Moorish history and religion.  “Before I left San Francisco I was given a 400 page book called, “Exhuming a Nation”. As I’m in school, I’m spending more time reading this book than my actual classes,” he said with a laugh. “There were days I went to school but didn’t go to class. A different fire got set inside of me for this photography project. I actually became what I was searching for, because that is who I was. When you run into Moorish science, you run into other metaphysical science. There is a saying that whatever is part of your evolution also has to be a part of your involution. The fact that negro/black was part of my evolution, I discovered Moorish science in my involution.”

Finding Moorish Science was a life and perspective altering experience that gave him insight into the nature of language and tradition and their impact on culture. “I am aware that when we deal with names and titles, it defines your nature. If a person decides to call themselves a Doctor, they will manifest things that help them become a Doctor. They will manifest the knowledge, the conversation, the tools and so forth and will progress to become a Doctor because the nature of that name will manifest. Same goes if someone wants to be a basketball player or anything else,” he shared. Now when we use the titles Negro, colored, Black, African American, I know those are slave titles given to us by our ex slave masters. The natures of those titles have to manifest in this society because words have power and they manifest. So when those slave titles are used, slave issues and occurrences are going to manifest. Undeniably. Now when we use a free national name or nationality that is tied to law, people and land, then those things will manifest for that individual. So we use a national name that has credence with liberty, has credence with law, credence with justice, and having social freedoms. Those names will empower those individuals in society.”

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 Empowerment and helping his people to understand their roots and its effect on their present day reality is his driving purpose. “When it comes to our people and how they are being subjected and oppressed on the street, we have to time out, pause and figure out what’s wrong. One, we are using the wrong names and titles that are allowing these things to manifest. Two, we are out of tune with the law. A lot of our people grew up in the civil rights era, Jim Crow and we never put two and two together, by questioning why this is happening to our people and why it is that we are out of tune with the law. We are out of tune with the law because we are not using the right ancestral names because the terms negro black and colored have nothing to do with anything constitutional in this country. When you have a free national name like Moorish-American, or Japanese-American, or Hindustani-American, those names are tied to a constitutional body in law,” he explained. “They come together in law and do lawful things. Our people don’t deal with lawful things as a nation. Our people have to be less subordinate in this situation. A lot of the woes our people are facing come from laws, from what they can or can’t do under the negro/black title. 

Johnson-Bey’s research led him to discover a book called “The Legal Status of the Negro”. “This book revealed that a lot of States based the status of the Negro on not being a naturalized citizen under the Hebrew code, two, on education, so a lot of the Negro status laws are based on Negro education, which sadly, is mainly public education which means not being educated by your ancestors or your cultural peers. When you go to the School of Moorish Law and History, you are given a book called, “The Negro Beast”. Come to find out, that book was passed around, not amongst our people, but other people, claiming the status of the Beast because they never took care of their national business to become naturalized citizens of the government they helped build.”

Johnson-Bey is currently using his art education to continue to spread awareness of the beauty of Moorish history and culture. “In San Francisco, I turned that so-called Nubian project into a Moorish photo series project. What I’ve been doing since 2014 is I’ve been going around photographing Moors around the country. Whether I am local or in Detroit, Baltimore or California, what I am doing is creating a Moorish coffee table book, which is almost finished. “In the book, we talk about playing concepts, talk about playing war, talk about playing litigation and we talk about playing poetry. When a person is playing, it’s not just having fun, there is always more at play. Whether it’s the known or unknown, seen or unseen, the heard or the unheard, It might have to do with your destiny, it might have to do with your fate, it might have to do with something legal. When we deal with play, it’s a cultural thing. It’s a character builder, it’s an interlude to let you recharge. I want the younger kids to know that even though they are having fun, there are reasons why and you can add this, or think about this when you are playing or learning to play. It also helps people learn things, learn new dynamics when they play as well.”

The pandemic turned out to be full of opportunities for him to get his book completed and into the hands of the public. “When the pandemic hit, even though there were intimidating factors, it was kind of like I could get projects done and breathe. I received help from the Oregon Cares Act which helped me publish my book. This was help I really needed and I’m so grateful that it came into my life and I met the right people to make that happen because publishing a coffee table book is very expensive.”

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In addition to the coffee table book, Johnson-Bey is utilizing an online platform to further connect people to Moorish traditions and culture. “What I started during the pandemic was to start my own platform called abstractvisions.live. This is a platform where you can upload video, livestream and broadcast, and we also have zoom connected to the site as well. While it’s like you-tube, we get to curate the platform so there isn’t so much garbage and visual and musical poison. It’s positive uploads, it’s family friendly, and although it's open to all nations, it is aimed at our people as a place where we can dialogue and tutor ourselves without outside interruptions. I like to think of it as an online healing zone for us and one day I hope to manifest it into a brick and mortar establishment. Right now we are encouraging people to help us build it up with videos, tutorials, educational programs, podcasts, films and we are even hosting spanish classes.  We are also getting ready to plug a store into the site as well. “

His motivation for pursuing a life path is based in healing and is what drives him forward in his mission to share the medicine of knowledge presented through art. “What I am doing is like an optical medicine,” he concluded with a smile. “It’s a need to see ourselves in a beautiful, national sense. It helps trigger that genealogical memory, that DNA memory. I need this and anyone else out there like me will need this as well. It’s something good to leave behind.”

Connect and Follow Marquis Johnson- Bey 

https://www.abstractvisionz.live/


https://www.instagram.com/abstractvisionz_/?hl=en


https://www.facebook.com/marquis.johnsonbey.7

BRIDGE OVER TROUBLED WATERS

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For most people, 2020 was an unforgettable year. From the COVID-19 pandemic and ensuing financial devastation, to ongoing racial unrest, political division and environmental disasters, few have managed to remain unscathed. With solace, encouragement and spiritual upliftment becoming harder to come by in a new age of social distancing and widespread closures and shutdowns, spiritual leaders have been challenged to  “reinvent” the one place most often cited as a source of comfort in times of trouble: Church. 

One might say that Pastor De'Shawn Hardy has it in his blood to be such a source of comfort.  Born in San Diego, California, his Father, the late Dr. W.G. Hardy was enlisted in the Navy at the time and eventually moved his family to SE Portland. "It wasn't 'normal' when I was growing up, to live in SE Portland as a Black family. I think we were the only Black family in the neighborhood of several blocks," he shared.

Hailing from a family of Church pastors that included his father and grandfather, the late W.G. Hardy settled into the role of spiritual leader in the community. He eventually became the senior pastor of the Highland Christian Center in Northeast Portland, a position he held for more than 2 decades. Revered as one who inspired many others with his spirited sermons and lifelong service to his Church and community, De'Shawn remembered, 

"I had a loving family. My Dad was a dynamic person in the community and in Churches, so growing up around him inspired me to do things in the community as well as look for ways to help people." 

The path was not always an easy one for a young Black man growing up in an urban neighborhood. "Like anyone else in the inner-city, I got drawn to things that weren't the best, but I learned to navigate life, turned around and went to college," he said.

Moved and encouraged by his late father's example, De'Shawn initially chose a path uplifting and inspiring others as an inspirational and motivational public speaker.

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"Speaking came natural. I was that kid who could talk my way into or out of anything," he laughed. "When I  got to an age that I thought I could do something with it, I started doing leadership trainings and mentorship. I guess the apple doesn't fall too far from the tree though and as I started doing trainings across the country, that led to speaking, which led to churches calling and asking me to speak to youth groups and such. It took off from there."

Hardy eventually followed in his father's footsteps and began a career in Ministry. Seeking to carve out his own niche and legacy apart from that left by his luminous Father, De'Shawn Hardy seeks to leave a lasting impression on all whose lives he touches. "I am not my Father. There are still pieces of him, but I became comfortable being De'Shawn," he shared. "He had gifts that I don't have and I have gifts he didn't have. When people first meet me and recognize me as my Fathers' son, I make it a point that the next time they meet me, they remember me as De'Shawn. I want his legacy to live on, but I also want to leave my own legacy."

His approach to ministry is multi-faceted and seeks to take into account the importance of being relatable and understanding to those seeking his spiritual guidance. "I grew up in an era where the Pastor was on a pedestal, and was unreachable," he said sadly. "I believe you have to share your time with people so they know you genuinely care about them. I meet people on their level and do my best to make them feel welcome in order to better to show the compassion and love of Jesus." 

Since COVID, De'Shawn has risen to the challenge of being reachable and available.  

"It's been a good and bad time," he said with a sigh. "The pandemic shut everything down. How do you reach people who need Church more than anything right now?" he asked. "I was already familiar with creating a social media livestream service. What we are now doing is a weekly bible study on facebook and live recorded service on Sunday. People are still leery and so the Church is doing a lot of Zoom meetings and breakout groups to keep people connected."

He has also been actively engaged and proactive in helping congregants access resources and funding to help lessen the financial blow. "I know a lot of people who benefitted from The Oregon Cares Fund," he acknowledged. "People were taking huge hits and with African-Americans having a higher chance of getting COVID and losing everything, we were able to give out visa cards for families and utilize programs to help the community." 

Individually and collectively, Hardy also encourages members to lean in and be a part of the solution to the shared woes that many face.  "I always tell people that everyone has a role," he encouraged. "Some people can march all day long. I march and I sit at big tables to tell people what the community really needs. For it's part, the Church, more than ever, needs to be vocal and stay vocal, on the front line of COVID and social stressors. If the Church remains silent, people feel abandoned."

In the end, it's the connection and loving guidance that Minister De'Shawn Hardy seeks to share with people struggling to navigate through hard times. "We have survived so much. We survived slavery, we are surviving oppression. The answer is togetherness, loving on each other and knowing that we were built for much greater than this. When we Love, motivate and care for each other and shake hands with people on the other side, we will be in a better place."

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To contact Minister Hardy, call or visit: 

Phone:(503)209-4496

Email :Dh@deshawnhardyspeaks.com

IG: de.shawn_hardy

NWAA: Straight Outta Used Car Sales

How Towanda Perry rebounded in faith and finances in the used car business.

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For those of us who know the trials and tribulations that life can bring, it is those who have come through the storm to survive and thrive that shine as lighthouses on the journey.

Owner and Founder of NW Affordable Autos, Towanda Perry, is one of those rare people whom, without hearing her story, you would never know the challenges endured to make it to where she is today.

Born and raised in Birmingham, Alabama, Towanda moved to California at 14 and after graduating, relocated to Oregon at the age of 18. "Like many 18-year olds, I met someone that I thought was wildly in love with and I stayed here," she shared. "I worked at a black owned business called Jabils, a beauty supply store on MLK. I stayed there for about a year, but as most young girls are searching for something bigger outside themselves, looking for a father figure, I met a slick and fast dude and got caught up in the life myself."

She gave birth to her first child in 1990 and second child from a relationship which lasted for about 10 years. “During that time, we bought a home together and opened a beauty salon on 7th and Knott which we had for 17 years."

Her motivation for being a small business owner was rooted in her fierce independence and even fiercer love of her children.

"I always knew the entrepreneurial spirit was always in me and from the time I was 18 years old, I didn't want to work for anyone else," she shared. "Having 2 sons who needed me, I wanted to be available to them and that pushed me into adventuring down that road even faster."

Living the fast life and selling drugs to stay afloat financially, she got into trouble for the first time in 1999. "Because of the breakup, I had bills way over my head. I didn't want to lose our home or our business and wanted to take care of kids and stand on my own two feet," she remembered. After a slap on the wrist the first time around and a third relationship, she gave birth to her daughter, MIgnon.

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 Despite doing her best to shield her children from the streets and divert them from the traps therein, her oldest child was drawn to a lifestyle that would eventually seal his fate. "I had a son that wanted to be out there in gangs and live the fast life. I lost him in 2008 in a double homicide on New Years Eve," she said sadly. "When I lost him I didn't care about anything anymore and for the next 3-4 years, I went back into street mode and got into more trouble."

After spending time in prison and reflecting upon her life and its trajectory, Towanda had a breakthrough that would change everything. Armed with faith and an indomitable spirit, she joined forces with her family and together, they launched their dream to enter the used automobile industry. 

The Dream didn't come easy. As a Black female with a criminal background entering into a white, male-dominated industry, accessing the funds and resources needed to function and operate proved difficult.

After meeting and connecting with Sam Miller and the Navigator program through a Soul District Business Association networking event her brother attended, Towanda found the support and resources she needed to take her business to the next level. 

"You all were really clear that it was going to be a battle but you would be standing in battle with me," she shared with interviewer, John Washington. "It is you who connected me with Sam, who connected me with MESO and connected me with Prosper Portland. It is having good people around me that made all the difference."

That difference is abundantly evident in the current state of success experienced by NWAA. In navigating the coronavirus pandemic and challenges experienced in keeping the essential business viable, the business has received support through various channels including the Oregon Cares Fund. 

"We are taking those dollars we have accessed and are pouring it into the future," Towanda said with a smile. "We have started a repair shop and now have a full time mechanic  here. We offer affordable services to the community as well. We also offer detailing, and have started a towing company called Affordable Towing. Our goal moving forward is to help people maintain their cars, repair their cars, rebuild their credit. What I see in the future is also to have another location."

When asked what business and life advice she has to offer to other Women and people struggling to achieve their Dream, Towanda shared inspiration stemming from hard-won wisdom. 

"No matter what your story is or where you come from, never count yourself out. No matter how dark it looks, just keep on going. It's not going to be perfect, you will slip and fall sometimes, but just do the next right thing and reach out. And don't doubt yourself. When the negativity comes, shut it out. Go talk to someone or read something positive, because people aren't always available. Remember, don't hesitate to talk to the man upstairs. He's always there."

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Contact Towanda Perry and NW Affordable Autos today at:

Phone Number: (503)-477-9888

Website: https://www.nwaffordableautos.com

Facebook: https://www.facebook.com/NWAA2013/

Not My Mama’s Civil Rights Movement

What happens when a Black punk-rocker fights White Supremacy

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"Look at how a single candle can both defy and define the darkness,” Anne Frank famously ruminated in her diary before being killed in the holocaust.  

Eric K. Ward is one who has made a life and found his purpose in rising to the challenges inherent in defying and defining the darkness he has encountered over a lifetime. 

As a nationally-recognized expert on the relationship between authoritarian movements, hate violence, and preserving inclusive democracy for over 30 years, Mr. Ward is a Senior Fellow with Southern Poverty Law Center and Race Forward. He currently serves as Executive Director of Western States Center, a national hub for innovative responses to white nationalism, antisemitism, and structural inequality and works nationwide to strengthen inclusive democracy so all people can live, love, worship and work free from fear. Ward also brings a uniquely innovative musical approach to fighting the good fight through punk-rock activism. Taking the stage as “Bulldog Shadow”, he describes his genre as one that “bends folk into a new punk framework and spits out a series of stories we wish we were the ones telling.”

“The shortest bio is that I am Black in America, carrying what our ancestors got us here to do and trying to prepare for those who come after," he shared with Flossin Media CEO and Editor-in-Chief, John Washington. 

Ward's formative years deeply influenced his eventual decision to dedicate his life to racial justice. "My family fled Kentucky in the early 1900's after the lynching of Mary Denton Thompson of Shepardsville, and we came to LA," he remembered.  "I grew up in that area in the time that desegregation was just happening and it was messy.  Many of us who were bussed to other schools found ourselves on the receiving end of racial abuse, not from other students, but from people driving back and forth to work as we were getting off the school bus. These were adults not children," he said sadly.

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 Finding ways to stay strong and connected to other students, Ward discovered that music provided an escape and an outlet for expression. "Eventually you have to learn to stand up for yourself and these experiences led me to the punk community." 

"Kids are always trying to find their way together and we found that way through music," he shared. "The punk community in LA was diverse and in the 80's incorporated hardcore, but it also incorporated reggae, Ska, and it was a moment where segregation began to fall for young people. When that community was attacked by white power skinheads who came in trying to tell us who could be there and who couldn't, that was the point where you had to decide if you were going to leave or were you going to stay and fight for your community.  Ultimately we decided to stay and fight in the best way we knew how."

After graduation, a distinct shift in overall culture and social dynamics began to talk hold in LA and Ward was ready for a change. "It was neo-Nazi skinheads, the drug war, and the economy that eventually drove me to come to the Pacific NW with friends. When I landed here, I realized that some of those things hadn't changed. There were still the Aryan nations, the American front, and a rise in neo-Nazism. I realized again, as I did in Jr. High School, that I wasn't going to be bullied or allow my friends to be bullied, so we found folks in the community to build with and find a way to respond."

Building a network to respond effectively to the very real and imminent threats posed by racial hatred involved delving deep beneath the surface to uncover the roots of white supremacy and it's toxic offshoot, white nationalism. 

"We have 2 big threats. One is white supremacy. It is that system that was created and predates this country, but it is also how this country was formed," he explained. "White supremacy is based on stolen resources and genocide of native people and 500 years of chattel slavery. Second is white nationalism which I argue is distinctly different from white supremacy in that it is a social movement. Where white supremacy seeks to exploit Black and Indigenous people, white nationalism seeks to get rid of us all together. It's ethnic cleansing and the way they intersect with each other is that they create a critical threat to Black people and other people of color and to white folks themselves."

Of all the regions in the country infected by these twin scourges, Ward goes on to explain how and why the western states have become known to be a hotbed of such activities. 

"We live in a State [Oregon] that was created to be an all-white state. It was in the original constitution that Blacks couldn't even reside here because white settlers were afraid they and indigenous people would get together and create some good trouble. The truth is, if we really want to know as a community why white nationalism and paramilitaries have thrived here, we need to pick up the mirror," he mused. "How could they not think they are welcome here when Black people are nearly every category you measure in Oregon society, at the bottom of a well? How could a white nationalist not think this is prime territory?" 

Seeking to further illuminate the phenomena and its participants, Ward began devoting time to understanding and addressing the insidious ways that white supremacy feeds white nationalism and how both pervade the fabric of society. His work led him to cross the aisle and into the underground dynamics of those who embraced the lifestyle. 

"I wanted to put aside my preconceptions and really understand what this other social movement was about," Ward shared. "I know my own social movement around racial justice and I understand the impact. I understand how King, Baker and X built but I didn't understand white nationalism. I thought it was like white supremacy, so I started attending meetings."

Through the process of discovery, Ward considers himself 'lucky' to have had the experience of meeting people who decided to leave those movements. Despite his concerted efforts to bridge the gap in understanding, he humbly declines to take credit for the exodus. 

"I can't take a lot of claim for that," he said. "What I think I presented was a doorway out. The truth is when we break this binary of white supremacy and the white nationalism that is trying to turn it into something new, what we find out is we have a lot of problems in common. We also have a lot of dreams in common."

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Finding the common ground led him to witness numerous transformations and awakenings amongst those he got to know. "I count myself lucky to know folks who have renounced white nationalism and gotten their lives back," he continues. “I have watched some of these people engage in restitution and reparations, the ones that most move me are the ones who take no pride in what they were. They don't try to romanticize it or make money on it, what they are trying to do is build back their lives and try to prove that they are worthy to their communities. I see those folks and count myself lucky to have seen this in my lifetime. It gives me hope."

It is that hope that gives him the strength and fortitude necessary to draw critical attention to the COVID 19 pandemic and the ways that systemic racism is predictably and disproportionately impacting Black, Indigenous and people of color.

"It is the unwillingness of the State of Oregon and other states in the region to come clean that perpetuates this problem we find ourselves in now," he grimly stated.  "1 in 735 black people has died of COVID in the last 11 months. For native people, it's 1 in 595. COVID has become the 3rd leading cause of death but it's not the only thing that's killing us. It's folks in the medical and health systems operating with unconscious racial bias. It's in the white supremacist infrastructure. The impact is so much more critical on the Black community that it borders on biological ethnic cleansing."

In terms of the arduous work that still lies ahead for Western States Center and other groups, Ward remains cautiously hopeful about the potential for shifts under the new Biden administration. 

"Western States Center is evolving. We are realistic about where we are and we are realistic about how we got here," he stated resolutely. "This is an unfolding process. 500 years of white supremacy will not change overnight despite our best dreams but we can make some real changes and we have made real changes. We have to take on white supremacy and we have to figure out how to manage this white nationalist movement which has a big base to recruit from. We can build, be Black centered and Black led, but we have to build a multi-racial movement that is not afraid of white nationalism."

In the end, Ward reminds us that looming challenges still exist, not because we are losing the battle for racial equity and justice, but because we are winning the struggle. 

"I tell folks it’s Black History month and if you want to do Black History right, spend the 28 days thanking Black America for making democracy real," he said proudly. "The democracy that has been built largely thanks to Black America is the reason we were able to survive Donald Trump. There used to be these t- shirts that said "Not my Mama's civil rights movement" that we began wearing after Ferguson. And I have to say that is right, because my mama's civil rights movement was bad ass. They had to function under real white supremacy as rule of law. It wasn't a contested terrain, it was the way everything was and we should not waste that sacrifice. We need to think of it this way. We are not losing. What we are facing is a backlash because of how much we have won.``

To connect with Eric and The Western States Center, call or visit: 

Phone: (503)288-8866 

Email: info@WSCPDX.org

Website: https://www.westernstatescenter.org

Facebook: https://www.facebook.com/westernstatescenter/

Twitter: https://twitter.com/wstatescenter 

…WITH LIBERTY AND JUSTICE FOR ALL

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Oregon Senator Lew Frederick Makes a Case for Reparations

If there is anyone in the Oregon vanguard most known for making historic strides in the realm of equality and justice, it is Senator Lew Frederick.

As a leader in the Oregon Legislature for over a decade, Senator Frederick learned the importance of public service as a young man in Atlanta during the height of the civil rights movement.

"It's a requirement from where I came from, where my family came from and what we were involved with," he remembered. "My playmates in elementary school were the sons of Dr. Martin Luther King, Jr.  In addition to telling me not to run through the house, Dr. King and my parents told me that while it didn't matter what kind of career I have, my job as an adult was to make things better for people coming up after me. That's been a requirement for me whether I was a molecular biologist, artist, actor, reporter, whatever. That's what has propelled me to stay and whenever I had the opportunity, to step up and do what I can."

Frederick's legislative focus has been reflective of his commitment to justice in education, economic security, public safety and "quality of life" issues for his District and beyond. He has also been an outspoken proponent for law enforcement accountability for more than a decade prior to the high profile murder of George Floyd by Minneapolis,  MN. police.

"Back in 2010, when we had the shooting of Aaron Campbell, I had just gotten appointed to the legislature and had a conversation with a group of legislators about what to do about the Portland Police," he remembered. "I began to put together programs and ideas addressing excessive use of force, discipline issues, how you tracked what was going on, how you recruited people, how the case is investigated, etc... I managed to pass bills requiring police body cameras and giving people the right to actually film what was going on because at one time you could be arrested for that in Oregon. We started tracking racial disparities and in response, created bills supporting minority teachers and curriculum that is designed to talk about the contributions of African Americans, Native Americans, Latinx Americans and so on."

His leadership capabilities and problem solving have been put to the ultimate test by the COVID -19 pandemic, which has unveiled systemic inequities and disparities formerly covered up and ignored. "The COVID pandemic exposed real problems that have been there for quite some time," he said grimly. "In addition to the public safety and law enforcement problems that have been exposed, it also exposed healthcare issues, housing issues, education issues, and economic issues."

Much to his dismay, the Senator also discovered that inequities persisted throughout the various response networks set up to mitigate the disaster. "If you recall, the initial money that came in from the federal government went out to folks, but a significantly small number of Black businesses got any of that because in many cases, they were not connected to the banks, which is how the money was dispersed," he informed us. "You had to have a relationship with banks to receive money, so a lot of these people weren't getting any funds. Looking at the numbers, we also discovered that a disproportionate number of people getting ill with the virus were Black and of these, a disproportionate number of affected people also work in the service industry and in the essential workers industry, putting them at even greater risk."

Frederick wasted no time in stepping up to the plate and helping craft a novel response to the 'crisis within a crisis'. "151 organizations and leaders ranging from Pacific Islanders, to Immigrants, Natives and Latinx people stepped forward and said we needed a solution for Black folks. In response, we, in bipartisan fashion, passed The Oregon Cares Fund for Black Relief and Resiliency."

As an effort to address racial disparities in the impacts of the pandemic, $62 million of the $1.4 billion in federal COVID-19 relief money was earmarked to be dispersed to Oregon's Black residents, business owners and community organizations enduring pandemic-related hardships.

Approved by State lawmakers last July, the move was not without its fair share of critics and detractors. Arguing that the fund violated the equal protection clause of the 14th Amendment by solely benefitting Black people, a class action lawsuit was filed to challenge disbursement of funds.

"Unfortunately, folks who want to divide people as much as possible started saying it was unfair, that they were left out and didn't receive anything like this," he explained. "We made our point really clear, but some of them filed lawsuits. Some of these were dismissed immediately and so they filed another lawsuit which was also dismissed. They then filed a couple more and while we had managed to hand out all but $8 million of the total fund, they froze the remainder which we are dealing with through the courts."

Frederick has since doubled down on his efforts for racial justice and is one of the first to propose a redress of one of history’s most gruesome grievances: Slavery.

"(Senate Bill) 618 really says there is a case to be made for reparations -- that's what 618 does," he said. "(Senate Bill) 619 says if there is a case to made, how that will be done."

"The department shall pay to each eligible applicant the amount of $123,000 in the form of an annuity payable annually for the life of the applicant," SB619 reads. In addition, memorial bill, SJM4 urges Congress to enact legislation to begin the process of implementing reparations for African-Americans based on slavery and discrimination.

"It's time to talk about what has actually taken place with African-Americans in Oregon, how that has affected people and what we should do about it," Frederick stated resolutely. "When you start talking in terms of money, people pay attention. We've had resolutions, we have had days dedicated to these issues but when you start talking about the kind of redlining that has taken place or the fact that people haven't had enough money to start a business or send their kids to college because they couldn't get loans or their homes were destroyed to build a freeway, a hospital, a coliseum, it becomes clear that these people deserve some compensation."

Despite omnipresent hurdles and challenges on freedom road, Frederick is encouraged by the strides made by people of color in Oregon who now hold positions of power in ever greater numbers. "Someone recently told me if you aren't sitting at the table, you are on the menu," he said with a laugh. "We have a BIPOC caucus that has 12 people in it and we are now at the table, making it clear that we are demanding changes.  3 African-American men are in the Senate and 9 minority folks are in the house including 5 Latinx leaders, a Native American Woman, Tawna Sanchez who is from my district and a female Vietnamese Representative, Khahn Pham. When you get 12 of us, you get a caucus who have decided to do something and things can change."

To contact Senator Frederick call or visit:

Phone:        (503)-986-1722

Email:          Sen.LewFrederick@oregonlegislature.gov

Websites:  http://www.lewfrederick.org

                   http://www.oregonlegislature.gov/frederick

Facebook: https://www.facebook.com/RepLewFrederick

Twitter:      https://twitter.com/LewFrederick

Why Age Alone When You Can Age With Support

Black owned business stays intact providing essential services thanks to help from The Oregon Cares Fund

Most people will agree that accessing healthcare is a stressful endeavor. Everything from navigating complex systems and insurance requirements to meeting the most basic practical needs involved in getting in to see a physician can be daunting, if not seemingly impossible, and for elderly Americans even more so.

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Meet Elijah J. Friday. As an accomplished and knowledgeable healthcare provider, Friday founded the non-profit organization, Aging With Support, nearly 2 years ago. Based on a mission “to acknowledge the value of aging adults by providing them with lifelong healthcare resources and tools” and a vision to “mitigate health disparities among older communities through implementation and innovation”, AWS also provides community outreach, raises awareness of healthcare challenges faced by aging adults and advocates for all aging adults in any type of living environment throughout 5 Oregon counties: Marion, Polk, Jefferson, Yamhill and Lincoln.

Friday’s desire to pursue a career path raising awareness and helping to mitigate healthcare challenges faced by aging adults was a deeply personal one.

“My story starts about 15 years ago when my Mother had a stroke,” he shared. I wasn’t prepared to be a caregiver for my Mom, but I was an only child. As her caregiver for 10 years, I developed skills that helped me see the gaps in the healthcare system for aging and disabled individuals. That is how Aging with Support began.”

The multifaceted services of the organization include their innovative “Communicate, Educate, Participate (CEP) program. In this program, AWS volunteers attend appointments (in-person or telemedicine) to support and assist clients with comprehending important information regarding their health and treatments and to make appropriate, independent health decisions. “I implemented CEP because there is a lack of communication between doctors and patients due to low health literacy amongst individuals, especially aging individuals,” he explained. “To close the gap, we offer services such as Medicare and Medicaid set up, assistance in finding a suitable plan and transportation set up for disabled individuals to get them to their medical appointments.”

The organization also assists their aging clients through their “Benefits without Barriers” program. “We provide adaptive equipment solutions to help them remain independent and live a better life. In addition to resources and tools, we are also very hands-on throughout our programs, which are life-changing. Being hands on makes all the difference.”

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As with seemingly everyone who felt the blow of the COVID-19 pandemic, Friday’s hands-on approach and overall organization reeled while seeking solutions in the aftermath.

 

“Operations have been significantly curtailed, because with our vulnerable population, it is hard to do some of the outreach that we were doing. Our clients also aren’t able to do a lot of the classes and programs they were doing, so it’s affected us in a lot of ways,” he stated grimly.

 

Friday is also keenly aware of the role that race plays in the realm of the nation's healthcare systems. “It goes for any age, but race does play a role that shouldn’t be there,” he said with concern. “Doctors already have biases through studies that they learn in the classroom about Black people and Hispanics with regards to predisposition to certain diseases. That sometimes creates a barrier to the quality of healthcare that individuals could receive.”  Despite the challenges, Friday does see progression towards a more equitable society. “While I’ve always been aware of racism,  I’m happy it’s finally being acknowledged and people are working towards changes to come down the road.”

 

The Oregon Cares Fund for Black Relief and Resiliency significantly helped his organization weather the storm. ”The CARES act funds we received were extremely helpful. We used the funds to help us purchase PPE(personal protective equipment) for our volunteers and we were able to apply some towards wages and programs, so those funds really made a huge difference,” he said.  The Oregon Cares Fund was the only pandemic assistance that Friday received, despite attempts to secure resources through other

 

Moving forward, Friday is optimistic and eager to expand the services and outreach capabilities of AWS. “I want this to grow,” he concluded passionately. “I want this to be known, not just in Oregon, but anywhere there is a need. I want all the seniors to know that we are here for them in every way, shape or form.”

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To Connect with Elijah Friday @ Aging with Support

http://www.aws1.org/

(503) 902-6309

info@aws1.org

J Spa - Essential Service for Times of Stillness


Behind every business that has managed to keep its doors open through the pandemic, there is a story of resilience, fortitude and often purpose-driven commitment. J Spa in Eugene, Oregon is an exceptional example of a business which has managed to not just survive but find opportunities to thrive despite the hurdles and challenges inherent in operating a hands-on practice in the shadow of COVID-19.


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Owner/ operator, Jacqueline Johnson, has spent nearly 20 years building an illustrious career and reputation as an esteemed athlete, coach and licensed massage therapist. As a graduate of the University of South Carolina, Johnson also served as the UofSC’s Sports Physiology and Sprints and Hurdles Coach and as the head massage therapist for the track team. Upon moving to Oregon, she continued building upon her impressive resume by volunteering as the Sprints and Hurdles Coach at the U of O, and eventually was hired to be the lead massage therapist for U of O athletics.

“I initially opened the spa after eleven years in Eugene because it was really hard to find even the basic necessities in skin and hair care products,” she shared.  “Rather than complaining about the problem, I decided to find a solution for it and so 3 years ago, I opened J Spa, a multi-ethnic beauty supply retail store and full-service day spa.”

After experiencing a strong start to her enterprise, she had to pivot quickly when the pandemic hit. Thankfully, a savvy disaster plan she developed and a grant from The Oregon Cares Fund helped her ride out the storm. “After a historic first quarter, we had to shut down,” she said grimly. “Fortunately, I had set myself up for hard times, so we were able to keep going even when we were forced to close our doors for 2 months. Additionally, the money I received from The Oregon Cares Fund through the Contingent was really helpful in helping me stay open and pay down my small business loan. I really hope they expand this program throughout the country and also continue it in the State of Oregon.”

Despite sweeping regulatory changes mandating masks, changes in contact policies and social distancing measures, her business has proven to be essential service to her community. “We have been one of the lucky ones,” said Jacqueline. “A lot of people during this time of stillness have been focusing on self-care. This has resulted in people dealing with the stress by coming in for massage and other services we offer.”

Precautions to ensure client safety are a high priority for J Spa. “We have definitely implemented the recommended COVID protocols. Everyone is required to wear face masks while in our facility, except during facials. We’ve staggered our appointments so there is 30 minutes in between clients, minimizing in-person contact. We also have hand sanitizer stations throughout our facility and thoroughly clean our massage tables and equipment to reduce cross-contamination.”

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J Spa’s resplendent arrays of services are numerous and wellness focused. In addition to wellness workshops, full-body and beauty treatments include full-body waxing, facials, foot-detox and aromatherapy, sports massage, prenatal massage, swedish and deep tissue massage, hot stone massage and more. The beauty boutique is chock-full of multi-ethnic skin and hair care products, including wigs, hair extensions, ponytails, hair toppers, hair,-braiding and styling tools, bath oils, lotions, cbd cream, collagen supplements and more.

It is the practice of Gratitude that Johnson cites as the primary force behind the success and staying power of J Spa.  “I love what I do and I’ve learned how to practice gratitude. Because even though there have been terrible things going on around me, there are also some great things going on around me. That’s where celebrating milestones comes in. One of the things I’ve learned is to celebrate the smallest milestones. If you have a thousand dollar day or achieve a goal you set for yourself, celebrate those milestones. It will keep you energized. Remember, it’s a marathon, not a sprint,” she said with a smile.

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To learn more about Jaqueline Johnson and The J Spa business services visit

https://thejspa.com/

485 Alexander Loop #110, Eugene, OR 97401

(541) 423-7009

LIFTing Spirits | Nate Moreland

LIFTing Spirits

How Fitness Trainer, Nate Moreland, is keeping people motivated and in shape amidst COVID-19

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LIFT owner and Fitness Trainer, Nate Moreland

For Nate Moreland, sports is more than something you do, it’s a way of life. A P.I.L.(Portland Interscholastic League) Hall of Famer, and former Olympic qualifier, Moreland finds the principles of training, “discipline, determination and dedication” to be guiding lights for the values he seeks to pass on to his clients. He’s the owner of Life Improving Fitness Training and Speed (LIFTS), a gym he uses to get people, of all backgrounds, from the "no’s to pro's" to help them realize their fitness goals in life.

He says he trains in the same way he was taught. It was men in the community, like Phil Walton and Leon Lincoln, who he refers to as legends that taught him the value of sports beyond the court and field.

“What Phil did was inspire me to take whatever I could do athletically and use my mind, my body, and my soul to get the best out of me that I could, regardless of where I was at,” he says. “Whether that was in school or out of school.”

For Nate Moreland, sports is more than something you do, it's a way of life. A P.I.L.(Portland Interscholastic League) Hall of Famer, and former Olympic qualifier, Moreland finds the principles of training, "discipline, determination and dedication" to be guiding lights for the values he seeks to pass on to his clients.




Moreland shined as an athlete and a student at the now defunct Jackson High School in Southwest Portland, where the hurdles in track & field and the game of football certainly tested what Walton had taught him. A Northeast Portland native, he was bussed to the Westside of Portland in the 70's making him one of only a handful of Black students in Jackson’s halls during the time.

The world surrounding his home on Northeast 14th and Going Street (where his mother still resides today) was his “Village”, a place where neighborhood kids would play every game together, not for gain, but for love.

However, the hills of the Westside weren’t so welcoming.

“To be honest with you, it wasn’t acceptable being a Black man in the Southwest part of Portland back then,” he says. Moreland accepted the hostility as a challenge — an opportunity to represent the Village. “It was a transitional period for me to not only be who I was and be around people who didn’t accept me for who I was, but to create friendships, and relationships.” 

He won over many of his peers and racked up some honors while doing it, earning multiple letters in football, basketball and track. Going All-State and being named an All-Star also contributed to his impressive portfolio. 

For Nate Moreland, sports is more than something you do, it's a way of life. A P.I.L.(Portland Interscholastic League) Hall of Famer, and former Olympic qual...

After a brutal hamstring injury threatened to end his sports career for good, Moreland headed to Lane Community College to continue his education to get back in shape. It was a rough time for him.

“The only person that believed in me was my mom, God, and myself,” he says. His dedication would pay off. After months of training he was able to earn scholarships for both football and track at the University of Oregon. Despite the naysayers, Moreland succeeded in becoming one of the top-10 track and field athletes in the country, all while earning his degree in Business Administration and Science.

Now he’s able to flex both lessons learned from the schoolroom and the schoolyard as the owner of LIFTS. After decades of managing retail chains at companies like Fred Meyer, he has now reignited his passion for fitness in order to “help people help themselves.” 

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From the gym to the park, he’s helping people of all abilities reach their athletic goals through specialized training. This is as much about muscle as it is about, as his website says, “starting a new relationship with yourself.”

He has trained folks who just need to give their heart a jumpstart, up to serious athletes who work for the NFL. He gives them all the same push.

And while the onset of COVID-19 threatened Moreland’s business, Moreland has been able clear this hurdle with support from The Oregon Cares Fund for Black Relief and Resilience, some of the only financial relief his business has been able to secure during the pandemic. 

These dollars have acted as a critical lifeline for LIFTS. He’s been able to purchase new equipment that allows him to be socially-distanced and financially viable. He’s picked up some new technology that allows him to offer online sessions and still remain connected to his clients. As for LIFTS headquarters in NE Portland, he’s also picked up some weights and cleaning materials so that he can offer the in-person classes for folks who want to go beyond the screen and still remain safe.

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Nate prepares for a virtual workout with clients

“Thank God, I couldn’t have made it without their help,” Moreland says of The Oregon Cares Fund support dollars. 

Now as he continues to push through the uncertainty of the pandemic, he rests a bit easier, with the cushion these dollars being underneath him has afforded.

And while much is unknown about the future in the face of this virus, for Moreland, this is just another challenge he’s ready to accept. He’s not defeated. He’s focused.

For him, this is about changing lives. “It’s not just training. It’s training for purpose, fun and meeting goals.”

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To connect with Nate Moreland check out https://www.liftsfitnesstraining.com

Flossin Magazine Volume #20: REPRESENT

How Representative Akasha Lawrence Spence Helped To Put Oregon On BLASK

At a time where economic turmoil and radical civil unrest are boiling over and long-term racial discord is twisting thorns of insecurity into the souls of the American people, there is something about Representative Akasha Lawrence Spence’s role in politics that denotes a bit of destiny.

Amongst the 60 leaders in the Oregon State House of Representatives tasked to oversee districts of around 63,850 citizens over a two-year election cycle, Representative Lawrence Spence is one of only two African-Americans along with Representative Janelle Bynum. Additionally, of the 30 Senate seats in Oregon, only two of those are filled by African Americans, Senator Lew Frederick and Senator James Manning.

However, Rep. Lawrence Spence wasn’t elected for this job as per usual, she was appointed by Multnomah County Commissioners to replace former state Rep. Jennifer Williamson, D-Portland, who resigned in December of 2019 to run for Oregon Secretary of State in the 2020 election--a race she ironically dropped out of abruptly in February. Currently, Rep. Lawrence Spence will continue as appointed until January of 2021, having chosen not to run in the general election.

It is most certain that upon acceptance of this appointment,  Rep. Lawrence Spence, like any of us, couldn’t possibly have predicted the massive domino effect that was about to impact the systemic world order of health, economic and racial justice. Subsequently, the fallout of each of these dominos is hitting the Black community in particularly menacing ways and at a time when Black representation in positions of influence is so crucial, it would seem that fate may have placed Representative Akasha Lawrence Spence in this gap for a reason.  Not only is she a Representative of District #36, which spans from Portland’s SW Waterfront, Chinatown, upper SW Hills and parts of Multnomah Village, she has also taken up the movement of her broader Black community as one of the leaders who helped to shape an internal collective known as BLASK.

Shaped by over 60 Black organizations, with strong leadership coming from Nkenge Harmon Johnson, Director of the ULPDX and subcommittee leads from Joy Alise Davis Director of PAALF, Jesse Beason NHF, working in tangent with a strong core of Black community leaders representing the needs of Black Oregonians, BLASK stands for the Black Ask.  The collective galvanized to create, “The Oregon Cares Fund (TOCF) a $62 million targeted investment in the Black community” carved out of the CARES Act’s Coronavirus Relief Fund (CRF), which to date has already left Black communities behind.

Rep. Lawrence-Spence teamed up with Rep. Bynum, Sen. Frederick, and Sen. Manning, to introduce the TOCF during the special session where the Oregon State Legislature worked to divide up the $1,388,506,837 in CRF it got from the 2 trillion dollar CARES act passed by Congress in March. $400 million of Oregon’s CRF will be set aside into a fund to reimburse local governments for money spent on Covid-19 relief efforts including, public health, medical and payroll expenses.

TOCF was a hefty lift but BLASK organizers are fiercely united making sure the Black community has a seat at the table and not the “per usual” crumbs. Oregon had already awarded a culturally responsive funding for the Latinx Leadership Network earlier this year, a package which included “fully funding the proposed Oregon Worker Relief Fund, which is critical to the financial security of undocumented workers.”

TOCF has the full support of the Governor Kate Brown, House Speaker Representative Tina Kotok and others from the Oregon State Legislature Joint Emergency Board.

The Power in Representation

BLASK may never have gotten the traction it needed in the Oregon State Legislature had it not been for the addition of Representative Lawrence-Spence to the ranks, serving to strengthen the political push with her peers and her community. In hindsight, she herself admits that she was resistant to the appointment initially, but calls out two emotional triggers that had resurfaced from several years back that prompted the calling to represent. The first was the tragic and sudden death of her mother and the second was witnessing the displacement of modest food cart owners to make way for a Waldorf-Astoria luxury high-rise.

“In college my first degree was in political science and anthropology, I was always interested in the theory of the states.  When we are born, we tacitly consent to being governed, but what does being governed mean? For me, it is a contract. They do certain things and we have a certain responsibility to hold them accountable.  So when my mother passed away suddenly from health issues I felt could have been correctable, it changed the trajectory of my life. I began to look around and think about the ways our government and our health care system was not being held accountable to us.” 

Around the same time as her mother’s passing, she was frequenting an active food cart hub in downtown Portland. It was a popular space where people from different cultures and socio-economic status would gather and interact.  Many of the owners operating these carts had come to the city as fleeing immigrants, leaving behind professional practices in search of a safer life. They had leased spaces on a vacant lot near the center of town and for decades, brought the flavor of their homeland into a receptive community.  When the property sold to a high priced developer, they were given their marching orders.

‘They were completely displaced and seen as no longer valuable to the space, although they are the ones that had added the value.  So, I was angry because my mother died, and she didn’t need to. That it was a failure of our healthcare system.  And I was upset for these small businesses that had no right or recourse to stop that development from happening to them because they didn’t own anything.  It really sparked in me the question of, ‘who gets to decide?’ The institutions that we consent to be governed by are there to help us.  Schools, police, elected officials don’t do that unless we insert ourselves into the conversation.  But I don’t want a seat at a table that is inept, corrupt, and inequitable. I’d rather sit on the floor than at your table. For me that was my awakening and why I decided to take this position. ``

This isn’t the Representative’s first bout in the political arena. As self-described, she started off as a “young and yes, to some degree, cocky,” campaigner for a variety of politicians near her native home of Brooklyn, New York, including Senator Chuck Schumer. But over time, she grew disillusioned by bi-partisan politics and compromises, and left to pursue architecture.

            “I thought, 'what are we compromising here?' Are we compromising people who need you to continue to fight for them? Or are we compromising so that something gets done that is better than nothing?  I couldn’t reconcile the compromise at that point. I felt there were other ways to get the job done and to do good work. That’s when I got a degree in architecture.

She made the move to Oregon seven years ago, and today, everything Rep Akasha Lawrence Spence focuses on centers around economic justice and her steadfast belief that you can’t have environmental or social justice without it.  She used this defining value when launching her architect design firm, The Fifth Element, where her company works as “a conscientious real estate developer, fortifying small businesses through property ownership”. As a self-described civic activist, she also started a meetup group called “Melanated”, focusing on bringing women of color together for individual or collective betterment based upon three defining pillars: civic engagement, financial empowerment and community stewardship. 

Early in her architecture career, she played a defining role in winning a bid for a development expansion project of a local high school. However, the project could only be built with legislature approved funding; leading her to the realization that everything leads back to politics.

“What gets built and the way we build it, where money comes from, what projects we decide to fund and who gets those projects, everything, everything, everything is political. And the moment that we think we can get away from it or disassociate from it, we have taken ourselves away from the decision making and where real power exists.”

Being a political representative comes with its fair share of sacrifices, including financial. Representative Lawrence-Spence takes home a modest stipend of $26,000.00 to do the job: poverty wages in most urban cities. So, while working diligently in the public sphere, she also manages her private business and shares her musings on politicians who have the luxury to focus on and hold longtime political positions.

“I understand what wealth does for a person and a community. It gives you time. Time to show up and time to run, because running for political office is a full time job.”

As the top two contributing factors impacting minority representation in America, time and money undeniably have an adverse effect on the equity of the playing field, especially considering the diversity of its citizens.

For now at least, Black Oregonians are grateful to have her representation which means an extra foothold in a crowded space.

“America is the richest country in the world, but people go to bed hungry. And it is not because we don’t have abundance: we have so much, but it is hoarded, right?  I mean, at first, we didn’t have money for anything such as free college or free health care, and then THIS happened and all of a sudden they found trillions of dollars. So now we’ve seen America naked and the government showed us their cards. We know what they are capable of and we know that they have been BS-ing us all this time. They had the ability to allocate this money and mandate it for XYZ, but were “scared” and didn’t see everybody as worthy, because that’s the real thing right? This is why the rallying cry of “Black Lives Matter” is a real one, a visceral one, because we were told that we were not people at the inception of this country, we were 3/5th a person. How do we get to a place where we have our own and we are not genuflecting and going on our knees to the government asking to be seen as worthy, asking to be seen as full people?”

The devaluation of Blacks in America has unfortunately been one of our country's ugliest characteristics. Programmed to believe that their Lives only amount to the lowest common denominator, the narrative imposed upon the Black American psyche for centuries can only be seen as a blatant maneuver to emasculate the Black male through brutality and has taken a toll on the Black family structure across the country. Looking ahead, the ability to fortify BLASK as a coalition that is impenetrable by governmental infiltrators will mean that Black Oregonians will have to galvanize, help each other to unpack the baggage of generational trauma and most importantly, recognize their capability, significance and influence inherent in moving forward as a coordinated force to claim their rightful place at the center of the economic power core. Rep Lawrence-Spence offered a closing response to this perspective,

It goes back to the history of this country which has us believing that there is nothing scarier than an educated and powerful Black man that is able to take care of his community.  Consider the White Nationalist going to our Capitals with assault rifles. If that were us [Black], we wouldn’t have lived to tell that tale. While they are seen as patriots and willing to die for America, it is US who have died for it. The foundation of our country is built with the blood sweat and tears of OUR ancestors. For them, nothing is scarier than Black people who have power and are ready to take hold of themselves and our community. That’s why I advocate for wealth.  We don’t want to rely on someone to feed us. There is something powerful about having a Black doctor where I don’t have explain certain issues; or a Black shopkeeper who is not going to follow me around the store; or for someone Black who may have been incarcerated, to be able to reenter into a community that looks like them and who are more than ready, willing and able to give them a second chance because they have the means. Ownership and Wealth will enable us to have school curriculums that are representative of our legacy and our history and not an erasure of our contribution. And also not having us believe that our history starts at slavery, but reinforcing that we have a long proud legacy. We are the first people, right? One of the wealthiest people in the world at one time was King Mansa Musa, an African Man.”

Flossin Magazine Volume #20: Letter from the Editor

Flossin Magazine Volume #20: Letter from the Editor

POWER

Demanding equity and justice for marginalized communities. Confronting racist ideologies and institutions that perpetuate racial injustices and disparities.

Flossin does not shy away from conflict; it addresses it head-on. When the protests began, Flossin was there on the front lines to combat the issues we are currently fighting. There are many outlets that hide behind a badge to get the latest details, but we didn’t we are one with the people and the experience of the people. We don’t try to reason racism; we expose it with the mission of dismantling it. We don’t downplay disparities that disproportionately affect Black people, we call them out with a megaphone so that others are forced to recognize it and acknowledge it. We refuse to let racial injustice seep back into the shadows. Whether it is a public official or a business, we put our money where our mouth is. We invest in Black, we promote Black, and we have been tapped into it for the last 15 years.

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